The Los Angeles drummer and leader Dick McGarvin responded to Benny and Miles with this communique:
When Lights Are Low Priced
In the early 1990s, I decided I wanted to do WHEN LIGHTS ARE LOW with my group. However, all my music books had the one with the Miles Davis bridge. And I didn’t have a recording of the correct version so I could take it down off the record.
Then I remembered – Benny lives in LA. Why not go to the source? I got out my Local 47 directory and called the number – kind of expecting to reach an office or a business manager. But, it was Benny who picked up the phone. I identified myself, told him why I was calling. He was very gracious…and grateful that I wanted to do his tune correctly and said he’d be happy to send me a leadsheet.
I figured there’d be some kind of charge for it. At the very least, I wanted to reimburse him for the postage. So I asked him how much it would be. And Benny said, “Fifteen hundred dollars!” There was a moment of silence and, realizing he was kidding, I said, “Would you take a check?”
We laughed – and he said there would be no charge…on one condition. And I said, “What’s that?” He said, “I’ll send it to you ONLY if you let me send you some of my other songs, as well.” And I thought – yeah, I can handle that.
Some days later, a packet arrived containing WHEN LIGHTS ARE LOW and half a dozen other Benny Carter originals.
God Bless him.
No one who knew Benny will be surprised by his generosity or his humor.





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
Recent Comments
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Just great. The "Now He Sings, Now He Sobs" trio. The Bush family must have been freaking out on that first tune.Bill Anschell on Praise For Poodie James
I read and thoroughly enjoyed it -- great writing!Roberta on Poodie James Sale
Good luck with your book Doug. I will check it out. Thank you for the great blogging. All the best, Roberta Arnold, Artist Representative Toninho Horta Ronnie CuberFrank Roellinger on Benny Carter: An Appreciation
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Thanks for the link, Doug. I had to miss the concert because I had a gig in Staten Island that evening. I've played...