The new Sonny Rollins CD is out, the one I raved about after I heard the advance a couple of months ago. Rollins is amazing on the title track and "Where or When." Stephen Scott's piano solos, dazzling and capricious, run Sonny a close second. Trombonist Clifton Anderson has a good night, and Bob Cranshaw demonstrates that a great player can give electric bass lines the definition, clarity, and swing of the acoustic instrument. The album is Without A Song: The 9/11 Concert. Rollins plays with … [Read more...]
…With But A Single Thought
The man who created these all-too-human ballets led a life outwardly uneventful, at least by the standards of the best-seller list. He fled the Soviet Union in 1924, settling first in Europe and then in New York City, where he started a dance school and a series of ballet companies. For the rest of his days, he made and rehearsed dances. That was all there was to it, he claimed. Asked on one occasion by a journalist to sum up his life, he replied, "It's all in the programs." —All In The … [Read more...]
TT And The Blogosphere
As noted here earlier, to his credit Teachout temporarily refitted his Arts Journal About Last Night into a blog clearinghouse on Hurricane Katrina. In the process, he discovered something about this capacious and puzzling new medium. As Hurricane Katrina finally slowed down and Monday lurched to a close, I stopped updating “Live from Katrina” and started thinking about the implications of what I'd been doing for the past two days. On the one hand, nothing could have been less typical of … [Read more...]
Correspondence
From a Rifftides reader: Thanks for the postings and links on New Orleans. Teachout's site led me to great info. I'm from New Orleans and most of my family still lives there. Naturally I lost contact during the storm and the WDSU site had the early video and allowed me to see the area where they live. Fortunately most of my relatives evacuated. What a disaster! Thanks again for your concern. … [Read more...]





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
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