I am adding the writer and musician John Robert Brown’s website to the Other Places list in the right-hand column, and not just because he wrote this:
Occasionally a publication changes one’s thinking. Take Five is such a book. I am old enough to have attended several of Desmond’s concerts back in the 1950s. Doug Ramsey’s account rekindled my respect, taught me more than I had ever imagined about its subject, propelling me into a Desmondmania that set me on a revisionist crusade of buying old Brubeck CDs and raving to my friends about my re-discoveries.
Mr. Brown is, among other things, chairman of the Clarinet and Saxophone Society of Great Britain. Some of the articles on his site are devoted to reed players and instruments, and some are simply fascinating reading for people with a general interest in jazz and other matters. Here he is on interviewing Maria Schneider at a big convention of jazz people:
Her Thursday evening concert in the massive Imperial Ballroom of the Manhattan Sheraton, though pitted against three other simultaneous events, was signed ‘house full’. Currently, Maria Schneider is big news. I had arranged to meet her during the afternoon, after a radio interview, in a public area.
Though she had seen me waiting, and acknowledged me, I couldn’t get near for the many enthusiasts wanting to speak to her. When eventually we did meet (it took fifteen minutes), the interrupting fans made it difficult to greet her, and impossible to escort her to the interview lounge. Eventually Schneider coached me in the correct body language. “Look at me and keep talking,” she advised. “Then we won’t be interrupted.”
Click here to read the interview. Then, roam around Mr. Brown’s site. Don’t miss his disquisition on how to pronounce the name of the letter H. It’s under the “General” heading. And I couldn’t resist showing you this lead from an article in his classical section.
A Ford Transit van parked in a leafy side street in north Leeds catches my attention. Finished professionally in silver and black, it bears the words: The Keyboard Academy. The piano keys painted on the side of the vehicle leave no doubt that music teaching is involved. Plainly, this is no van ordinaire.
There’s no pun like a bilingual pun. It’s in a piece about a mobile piano school.





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
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mel on Sam Most, Johnny Smith…Gone
I recommend this video documentary - Sam Most - Jazz Flutist: http://www.youtube.com/watch?v=PVDrQk7tERM RIP Sam Most RIP Johnny SmithBrew on A Desmond Oberlin Masterpiece, Complete
By the way: I now can proudly tell you all that the original 10" release & the later 12" LP are both in my possession. The...dick vartanian on Happy Fatha’s Day
It would be ridiculous to say I can't play like that - I can't even think like that. Superb !!Malcolm Norman on A Desmond Oberlin Masterpiece, Complete
I'll now reply to myself with a reprimand for having been so capitvated by the thought of an extra minute's Desmond Oberlin solo that my...Malcolm Norman on A Desmond Oberlin Masterpiece, Complete
The ultimate frustration is that I, outside the U.S. (i.e. Germany), cannot access the video even when using a proxy giving me a U.K. IP-number!...