In his newsletter, Blowing My Own Horn, the pianist Hal Galper (Cannonball Adderley, Phil Woods, his own trio) writes,”In truth, I’m a free player in bebopper’s clothing.”
You might find my history of free playing illuminating. In my early Boston days (the 1960′s) I had the good fortune to apprentice with Sam Rivers for 6 years. At the time with Phil Morrison on bass and Tony Williams on drums, followed by my old partner in crime Steve Ellington. We were playing free inside the tunes trying to make them accessible to our audiences by hiding how free we were playing by keeping a groove while still trying to be melodic. (It was many years later that Tony brought the concept, and Sam, into Miles’s band [Davis - ed.]). Eventually we recorded a quartet album for Blue Note, A New Conception.
To read the whole thing in printable PDF format, go here. The Rifftides staff also recommends Galper’s website for its news and his forthright views.





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
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