When I stay with my friend Jack Brownlow(page 267 in The Public and Private Lives of Paul Desmond), he often comes up with special entertainment. Yesterday, it was a couple of episodes of The Beiderbecke Connection, a 1988 series from Granada, the British TV network. Jack’s daughter checked it out from the public library on VHS, but it is also available here on DVD. Trevor Chaplin and the adorable Barbara Flynn play the lead characters, unmarried school teachers with a child they call “the firstborn” because they can’t agree on a name for him. The couple have a talent for trouble when they try to accomodate beguiling, unscrupulous friends who request favors with a slightly illegal tinge.
Bix Beiderbecke, Duke Ellington, Count Basie and Charlie Parker, among other jazz figures, come up casually in conversation among the characters. The scoring by Frank Ricotti, a musician previously unknown to me, functions well with the action of this mystery spoof. Ricotti is a vibraharpist and in one sequence leads his band in an episode that takes place in a London club called, oddly, The Village Vanguard. One of the few television series to incorporate running references to jazz and jazz artists, it features welcome subtlety and humor in script, acting and direction. Perhaps you’ve noticed that we don’t see much of that in domestic television these days.





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
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Jack Greenberg on Unburied Treasure: Chick Corea Trio
Well, I'm sure this performance won a lot of new fans for "jazz". I didn't see Ronald Reagan in the audience. Maybe he...Jim Eigo on Unburied Treasure: Chick Corea Trio
Great to see this amazing trio no matter where they play... And don't forget Dizzy and Max doing "Salt Peanuts" with Jimmy Carter http://www.youtube.com/watch?v=ORhqJZfxxcIBill Benjamin on Unburied Treasure: Chick Corea Trio
Just great. The Now He Sings, Now He Sobs trio. The Bush family must have been freaking out on that first tune.Bill Anschell on Praise For Poodie James
I read and thoroughly enjoyed it -- great writing!Roberta on Poodie James Sale
Good luck with your book Doug. I will check it out. Thank you for the great blogging. All the best, Roberta Arnold, Artist Representative Toninho Horta Ronnie Cuber