Yesterday afternoon, hydroplaning across the Cascade mountains toward Seattle in the first thunderstorm of the summer, I listened to an advance of Sonny Rollins’s next CD. The album is called Without A Song (The 9/11 Concert). It was recorded in Boston four days following the terrorist attacks on the twin towers in Lower Manhattan. Milestone will release it in August. Rollins is amazing on the title track and “Where or When.” Stephen Scott’s piano solos, dazzling and capricious, run Sonny a close second. Trombonist Clifton Anderson has a good night, and Bob Cranshaw demonstrates that a great player can give electric bass lines the definition, clarity, and swing of the acoustic instrument. The young drummer Perry Wilson and, on some tracks, percussionist Kimati Dinizulu kick things along, and the entire concert has a feeling of power and good humor.
I crested the summit of Snoqualmie Pass during a ferocious tenor solo on “Where or When,” then the CD ended to a thunderous ovation from the audience. At that moment the storm quadrupled its ferocity. The rain beat on the windshield with an intense roar. Lightning ripped across the horizon. It was as if the forces of nature were acknowledging one of their own.





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
Recent Comments
Jack Greenberg on Unburied Treasure: Chick Corea Trio
Well, I'm sure this performance won a lot of new fans for "jazz". I didn't see Ronald Reagan in the audience. Maybe he...Jim Eigo on Unburied Treasure: Chick Corea Trio
Great to see this amazing trio no matter where they play... And don't forget Dizzy and Max doing "Salt Peanuts" with Jimmy Carter http://www.youtube.com/watch?v=ORhqJZfxxcIBill Benjamin on Unburied Treasure: Chick Corea Trio
Just great. The Now He Sings, Now He Sobs trio. The Bush family must have been freaking out on that first tune.Bill Anschell on Praise For Poodie James
I read and thoroughly enjoyed it -- great writing!Roberta on Poodie James Sale
Good luck with your book Doug. I will check it out. Thank you for the great blogging. All the best, Roberta Arnold, Artist Representative Toninho Horta Ronnie Cuber