You may knock New York if you like. I won’t. I lived there in the seventies, when it was truly knockable. Let me tell you three things about the couple of days I spent in Manhattan last week.
1. On the glorious day that was last Thursday, I sat blogging on my laptop in City Hall Park, a free wireless internet zone, a sure sign of a civilized city. I was surrounded by people eating their lunches in the sun, tours of grade school children gleefully and loudly exulting at the sight of baby squirrels, a man who looked to be about one hundred and five writing avidly in longhand, a city employee on the smallest riding lawnmower I’ve ever seen waving at the kids on each circuit of a patch of lawn as if he were Rex on a Mardi Gras parade float.
2. I saw planter after planter in midtown spilling over with spring flowers…wave petunias, coleus, begonias, comras and others I couldn’t name. Just down the hill from Carnegie Hall’s 56th Street side, the Metropolitan Tower has four magnificent raised beds of impatiens. In the elevator lobby, I congratulated the security guards on the flowers, and they beamed.
3. I sat down opposite Cole Porter’s piano at the Waldorf while Daryl Sherman was playing it and singing “I Like New York in June.” When she saw me, she altered the lyrics to, “I like Paul Desmond’s looks, er, licks, they give me a thrill.”
No, I won’t knock New York.





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
Recent Comments
Jack Greenberg on Unburied Treasure: Chick Corea Trio
Well, I'm sure this performance won a lot of new fans for "jazz". I didn't see Ronald Reagan in the audience. Maybe he...Jim Eigo on Unburied Treasure: Chick Corea Trio
Great to see this amazing trio no matter where they play... And don't forget Dizzy and Max doing "Salt Peanuts" with Jimmy Carter http://www.youtube.com/watch?v=ORhqJZfxxcIBill Benjamin on Unburied Treasure: Chick Corea Trio
Just great. The Now He Sings, Now He Sobs trio. The Bush family must have been freaking out on that first tune.Bill Anschell on Praise For Poodie James
I read and thoroughly enjoyed it -- great writing!Roberta on Poodie James Sale
Good luck with your book Doug. I will check it out. Thank you for the great blogging. All the best, Roberta Arnold, Artist Representative Toninho Horta Ronnie Cuber