Kyle Gann on music after the fact
Just as Harry Partch called himself a "philosophic music man seduced into carpentry," I'm a composer seduced into musicology... Read More…
So classical music is dead, they say. Well, well. This blog will set out to consider that dubious factoid with equanimity, if not downright enthusiasm [More]
Kyle Gann's Home Page More than you ever wanted to know about me at www.kylegann.com
PostClassic Radio The radio station that goes with the blog, all postclassical music, all the time; see the playlist at kylegann.com.
American Mavericks - the Minnesota Public radio program about American music (scripted by Kyle Gann with Tom Voegeli)
Kalvos & Damian's New Music Bazaar - a cornucopia of music, interviews, information by, with, and on hundreds of intriguing composers who are not the Usual Suspects
Iridian Radio - an intelligently mellow new-music station
New Music Box - the premiere site for keeping up with what American composers are doing and thinking
The Rest Is Noise - The fine blog of critic Alex Ross
William Duckworth's Cathedral - the first interactive web composition and home page of a great postminimalist composer
Mikel Rouse's Home Page - the greatest opera composer of my generation
Eve Beglarian's Home Page- great Downtown composer
David Doty's Just Intonation site
Erling Wold's Web Site - a fine San Francisco composer of deceptively simple-seeming music, and a model web site
The Dane Rudhyar Archive - the complete site for the music, poetry, painting, and ideas of a greatly underrated composer who became America's greatest astrologer
Utopian Turtletop, John Shaw's thoughtful blog about new music and other issues
an ArtsJournal blog

Great piece and performance last night Kyle! Glad I could finally witness the full Planets in one evening, keep it coming!
I’m just curious to know if there are any West Coast performances scheduled yet for “The Planets”? In the Pacific Northwest, specifically?
Thanks.
KG replies: Nothing yet. Got any ideas, please pass them along.
Coming out there would remind me of the times we all came out to Seattle from Philly. Once Joe Franklin, Relache’s director, talked through the whole plane trip about the great Pacific salmon he was looking forward to. We got to our hotel, and he had us all driven to this fantastic seafood restaurant he knew about. The waitress came up and asked what we wanted. With long-repressed bravura, Joe asked, “How’s the salmon today?” She said, “Great, it was flown in fresh from Philadelphia.” I’ve rarely seen anyone as devastated as Joe was that night.
Great story.
In regard to a northwest performance, I’m not sure about Seattle, but in Portland there’s an orchestra called the Portland Columbia Symphony Orchestra that does dabble in new music. I actually think they’re quite good as well. They just don’t get much press because the Oregon Symphony kind of steals their thunder (publicity wise, at least). Might be worth an inquiry, anyway.
It would, however, also be great to hear the Oregon Symphony give a NW and/or West Coast premiere. I’m not sure if this is a good percentage or not, when compared to orchestras around the country, but of the 68 or so pieces performed in their main concert series next season, ten of those pieces are by living composers (nine different composers; two are by John Adams). I actually just posted an article about it here, in case anyone’s interested:
http://thenewsoundbarrier.blogspot.com/
Good luck, and I look forward to hearing The Planets one way or another!
KG replies: Thanks for the idea. The piece is only for eight instruments, but I am orchestrating it, and have three movements basically done. I have to include a tenor sax, which will cut down on performances, but I’m not expecting any orchestra to ever do it anyway. Interesting blog, by the way, I’ll bookmark it.