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PostClassic

Kyle Gann on music after the fact

Am I Getting Overexposed Yet?

My new book was mentioned today in the New Yorker, and my music in the New York Times. The latter sort of implied that my Disklavier music is “silly.” Personally I think classical music should lighten up and indulge a joke now and then, but I’m finding that when you write a humorous piece, people are just disturbed by it. I guess it’s back to solemn and portentous for me.

UPDATE: The worst experience I ever had in this respect was the only performance I’ve ever given in Germany, in Hamburg in 2007. I had somehow willfully forgotten that Germans are not particularly internationally admired for their sense of humor, and with questionable judgment I decided to regale them with my Disklavier piece Petty Larceny, completely composed of quotations from the Beethoven piano sonatas. I think of the piece as something more than a joke: it keeps every quotation in the original key, and pairs lots of early and late sonatas to show, I think, that Beethoven tended to use certain chord progressions in certain keys. But it was certainly humorously intended. (Heck, Stockhausen did a Beethoven-quote piece too, called Opus 1970.) So I played the piece, and as I looked at the audience afterward, every man jack of them wore the exact same expression, one which haunts me to this day. It was an expression you might elicit from a complete stranger you sat next to at the beginning of a transcontinental plane trip, if you introduced yourself by earnestly detailing a plan to end world hunger by eating Jewish babies: a mixture of revulsion and despair, nuanced by a transparent veneer of polite restraint. Intermission followed, and as I returned to perform Custer and Sitting Bull, I saw that fully half the audience had fled. Those who remained were mostly graduate students who had agreed to carry away the electronic equipment afterwards. It was easily the worst performing experience of my post-college life. 
But never mind that. I’ve now had my music played at BAM. In the music scene I chronicled at the Voice for 19 years, this was the highest possible honor. I have attained the Downtown Valhalla, and can die a happy man.

What’s going on here

So classical music is dead, they say. Well, well. This blog will set out to consider that dubious factoid with equanimity, if not downright enthusiasm [More]

Kyle Gann's Home Page More than you ever wanted to know about me at www.kylegann.com

PostClassic Radio The radio station that goes with the blog, all postclassical music, all the time; see the playlist at kylegann.com.

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Sites to See

American Mavericks - the Minnesota Public radio program about American music (scripted by Kyle Gann with Tom Voegeli)

Kalvos & Damian's New Music Bazaar - a cornucopia of music, interviews, information by, with, and on hundreds of intriguing composers who are not the Usual Suspects

Iridian Radio - an intelligently mellow new-music station

New Music Box - the premiere site for keeping up with what American composers are doing and thinking

The Rest Is Noise - The fine blog of critic Alex Ross

William Duckworth's Cathedral - the first interactive web composition and home page of a great postminimalist composer

Mikel Rouse's Home Page - the greatest opera composer of my generation

Eve Beglarian's Home Page- great Downtown composer

David Doty's Just Intonation site

Erling Wold's Web Site - a fine San Francisco composer of deceptively simple-seeming music, and a model web site

The Dane Rudhyar Archive - the complete site for the music, poetry, painting, and ideas of a greatly underrated composer who became America's greatest astrologer

Utopian Turtletop, John Shaw's thoughtful blog about new music and other issues

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