Unintended Consequences

Is there any possible way Bach DOESN'T make sense?

KG replies: It's true. We should just play all his works at once.

It sounds like the ghosts of Ligeti and Nancarrow jointly haunting a digital piano.

I kid you not. My first guess was Prelude 1 played at super speed in different keys.

KG replies: I wish I had promised a box of Padron cigars to the guesser of the secret, so I could send it to you.

http://is.gd/3JOKv

gone over to the side of new complexity, Kyle ? ;-)

KG replies: Hey, there's always been a lot of complexity in my music - the fun kind, not the anal kind.

So that's why they call it "Quicktime."

A couple of days ago, I Twittered, "the experience of accidentally starting up multiple YouTube tabs may be the great 'found music' development of our time." This after accidentally starting up two tabs of a "La Campanella" video at once.

Here's the "John Oswaldian" canon that resulted.

And, a few days before, four simultaneous sopranos in a Ned Rorem quartet:

My first reaction was that I thought I heard a snippet of the Star-spangled Banner at the very end (mi-re-do, then an octave drop to mi) - kind of like hearing the Marseillaise echoed at the end of "Feux d'artifice."

Sounds great.

Bizarrely, I tried out something almost identical a couple of months ago with some Glenn Gould recordings (of fugues). I think the thing I like is how consonant it gets toward the end.

Listen here: http://soundcloud.com/lawrencedunn/gould-fugues

L.