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PostClassic

Kyle Gann on music after the fact

What’s Good for the Goose

Every composer has his champions, and I’m always happy to see people leap to a favorite composer’s defense. It gives me a warm feeling inside, actually, even if I don’t much care for the composer’s music myself, because I think, “Someday that could be my music someone like that is defending.” A friend whose tastes otherwise often parallel mine recently admitted that Feldman’s music drove him up a wall, which I find amusing, rather than threatening. I have lived all my life with musicians around me putting down my favorite music. One of my professors told me that Cage was a charlatan and minimalism was bunk. Another met Cage, and said afterward, “I wouldn’t have that man at my house.” My favorite professor got denied tenure for bringing minimalism to class. I’ve listened to famous composers dismiss most of the new music I love as not being music at all. Students at Columbia spat with contempt when I brought them a rare Meredith Monk score. I’ve been told Robert Ashley isn’t a composer. I’ve eaten dinner with composers who regaled each other with Philip Glass jokes, while I took it in polite silence. I have spent my life analyzing and championing music that is despised and marginalized by the classical music world. 

And so, listen: If I listen to Piston’s Seventh Symphony and don’t like it, you can bloody well put up with it. There’s no reason to pour vitriol on me. I’ve taken shit all my life for the kind of music I like, and I’ll be damned if I’m going to also take it for the music I don’t like. I’m especially not going to take it from establishment classical musicians, who tend to be the type who routinely damn and dismiss the music I love. I’m not in charge of Piston’s reputation. I am not in a position to do him any harm, nor would I if I could. I’ve been interested in Piston since I was in junior high school, and The Incredible Flutist was the only recording you could find. So I don’t like a piece you like. Feel that, multiply it by 20,000,000, and you’ll start to feel what my entire life among classical musicians has been like. And then you can back off and suck it up.

What’s going on here

So classical music is dead, they say. Well, well. This blog will set out to consider that dubious factoid with equanimity, if not downright enthusiasm [More]

Kyle Gann's Home Page More than you ever wanted to know about me at www.kylegann.com

PostClassic Radio The radio station that goes with the blog, all postclassical music, all the time; see the playlist at kylegann.com.

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Sites to See

American Mavericks - the Minnesota Public radio program about American music (scripted by Kyle Gann with Tom Voegeli)

Kalvos & Damian's New Music Bazaar - a cornucopia of music, interviews, information by, with, and on hundreds of intriguing composers who are not the Usual Suspects

Iridian Radio - an intelligently mellow new-music station

New Music Box - the premiere site for keeping up with what American composers are doing and thinking

The Rest Is Noise - The fine blog of critic Alex Ross

William Duckworth's Cathedral - the first interactive web composition and home page of a great postminimalist composer

Mikel Rouse's Home Page - the greatest opera composer of my generation

Eve Beglarian's Home Page- great Downtown composer

David Doty's Just Intonation site

Erling Wold's Web Site - a fine San Francisco composer of deceptively simple-seeming music, and a model web site

The Dane Rudhyar Archive - the complete site for the music, poetry, painting, and ideas of a greatly underrated composer who became America's greatest astrologer

Utopian Turtletop, John Shaw's thoughtful blog about new music and other issues

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