Gannian AIFFs on Plastic Alert

Two recording projects I was excited about got delayed for a year for economic reasons (and this was before the crash), but they're now back on track. 

First, on Thursday, May 28, at 7 PM, the Relache ensemble will give a partial performance of my The Planets at Fels Auditorium in Philadelphia (222 N. 20th St., 215-448-1254). They'll play the six planets we hadn't recorded yet: Uranus, Mercury, Moon, Venus, Saturn, Pluto. It's in conjunction - to use the astrological term - with the Planetarium's exhibit, "Galileo, the Medici, and the Age of Astronomy." Yes, the Planetarium knows my piece is about astrology, and they don't care. Then in June we'll finish recording all ten movements (not nine as per the press release), and the CD will appear on the Meyer Media label in time for the complete world premiere in September. 

Just as exciting, the Orkest de Volharding has recorded Sunken City, my concerto for piano and winds, for an upcoming two-CD set on Mode, with soloist Geoffrey Douglas Madge. (I keep running into Americans who haven't heard of Madge, but he recorded the complete Busoni piano music, 6 discs's worth, for Philips, and played Sorabji's five-hour Opus Clavicembalisticum back when no one'd ever heard of it. He's a very big deal in Europe and among record collectors here, and a lovely gentleman.) Other pieces on this two-CD set supposedly will include In C, Steve Reich's City Life, John Adams's Short Ride in a Fast Machine, David Lang's Street, and Louis Andriessen's Worker's Union. I'll keep you apprised of the release date. 

That'll be another 100 minutes' worth of my music sent out into the world. Based on my experience of previous CD releases, I'm all poised for my life to continue pretty much as it did before. But very grateful to the performers.

May 16, 2009 9:10 PM | | Comments (3) |

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3 Comments

Kyle: Please make sure that Meyer Media and Mode send me copies for broadcast. I'd love to be the first on the planet to air these on the radio.

KG replies: You got it. Thanks for your ongoing support.

Well, of course, your life may not be changed, but ours will--for the better. Can't wait. (Maybe I'll be able to get copies of these to review).

KG replies: Thanks, Rodney, that's a nice way to look at it, and I'll try.

That music on the Madge is some of my favorite music ever - a real steal at whatever they charge. Taking "City Life," as an example - not really heard anymore, but equally as good as anything he's written. At least I haven't heard it lately.

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Sites To See

Postclassic Radio! - Kyle Gann's internet radio station that accompanies the blog; see the playlist at kylegann.com

American Mavericks - the Minnesota Public radio program about American music (scripted by Kyle Gann with Tom Voegeli)

Kalvos & Damian's New Music Bazaar - a cornucopia of music, interviews, information by, with, and on hundreds of intriguing composers who are not the Usual Suspects

Iridian Radio - an intelligently mellow new-music station

New Music Box - the premiere site for keeping up with what American composers are doing and thinking

The Rest Is Noise - The fine blog of critic Alex Ross

William Duckworth's Cathedral - the first interactive web composition and home page of a great postminimalist composer

Mikel Rouse's Home Page - the greatest opera composer of my generation

Eve Beglarian's Home Page - great Downtown composer

Just Intonation Network - a meeting place for people interested in alternative tunings

Erling Wold's Web Site - a fine San Francisco composer of deceptively simple-seeming music, and a model web site

The Dane Rudhyar Archive - the complete site for the music, poetry, painting, and ideas of a greatly underrated composer who became America's greatest astrologer

Utopian Turtletop, John Shaw's thoughtful blog about new music and other issues

About this Entry

This page contains a single entry by PostClassic published on May 16, 2009 9:10 PM.

"So Near to My Inmost Self..." was the previous entry in this blog.

Teaching Artists to Fail is the next entry in this blog.

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