Call Me Amadeus

I heard some music the other night in a loose improv style that, given a lot of more rigorous recent musical developments, I find a little old-fashioned. But I imagined myself going up to the performers and telling them that I had just finished a piano concerto, and thought I could do it with a straight face only if I were wearing a powdered wig and dipping into my Wedgwood ceramic snuff box. How old-fashioned would that have sounded? "I finished a piano concerto today" - it sounds as comically anachronistic as the sketch with which S.J. Perelman once opened a satire, in which a man comes home to his wife with the lapidary greeting, "Hello, dear, I just finished Hoover Dam." Yet my earliest musical memories are of piano concerti - Geza Anda's recordings of Mozart's K. 466 and K. 503, which my parents played while I was in the crib (they would lovingly quiz me on Köchel numbers) - and the genre is so imprinted on me that I've always expected to write one. Even though I scrupulously avoided thinking about sonata form, sonata touches crept in before I realized it - each movement contains an arguable point of recapitulation, and the first-movement recap picks up the exposition's ideas almost in reverse order, a Mozartean trick. Didn't plan it that way, but I listened, and that's where the piece wanted to go. (I keep waiting for someone to ask, "Wait a minute, you're a Downtown composer, and you're writing a piano concerto? What gives?" Then I'd have to admit that before I discovered Cage at 15, Copland, Harris, Bernstein, and Schuman had already seeped into my DNA, and that Composer Kyle is sometimes more Midtown than Critic Kyle likes to acknowledge.)
SunkenCity190.jpg

(End of the first movement)

In other Gannian news, I just learned that Philadelphia's Relache ensemble is planning to premiere my suite The Planets in its 75-minute entirety next May in Delaware, so I'm going to have a ton of music premiered in the coming academic year. (Not only Mozart, I can imitate Holst, too!) As I sink deeper into composing, I predict that my blog will become so introverted that eventually no one except my mother will continue reading. (Hi Mom! Thanks for the Mozart!)

June 11, 2007 10:52 AM | | Comments (2) |

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2 Comments

While on the topic of Mozart, with powdered wig and appropriate foppish regalia donned, have you had the chance to check out the good doctor Rene Jacobs and his orchestra's recording of the Prague and Jupiter symphonies?

(They're on the Harmonia Mundi label.)

KG replies: I have many Rene Jacobs recordings of Baroque music, but no classical repertoire.

Happy Stravinsky's birthday! Now there was a composer who could write a piano concerto without having to don a powdered wig, and from the looks of your new concerto, Kyle, neither do you.

I like Rene Jacobs especially because when I was playing the piano in a restaurant in my twenties, he came in one night and gave me a five dollar tip.

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Sites To See

Postclassic Radio! - Kyle Gann's internet radio station that accompanies the blog; see the playlist at kylegann.com

American Mavericks - the Minnesota Public radio program about American music (scripted by Kyle Gann with Tom Voegeli)

Kalvos & Damian's New Music Bazaar - a cornucopia of music, interviews, information by, with, and on hundreds of intriguing composers who are not the Usual Suspects

Iridian Radio - an intelligently mellow new-music station

New Music Box - the premiere site for keeping up with what American composers are doing and thinking

The Rest Is Noise - The fine blog of critic Alex Ross

William Duckworth's Cathedral - the first interactive web composition and home page of a great postminimalist composer

Mikel Rouse's Home Page - the greatest opera composer of my generation

Eve Beglarian's Home Page - great Downtown composer

Just Intonation Network - a meeting place for people interested in alternative tunings

Erling Wold's Web Site - a fine San Francisco composer of deceptively simple-seeming music, and a model web site

The Dane Rudhyar Archive - the complete site for the music, poetry, painting, and ideas of a greatly underrated composer who became America's greatest astrologer

Utopian Turtletop, John Shaw's thoughtful blog about new music and other issues

About this Entry

This page contains a single entry by PostClassic published on June 11, 2007 10:52 AM.

Up is Down was the previous entry in this blog.

Music Library (Almost) Without Limits is the next entry in this blog.

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