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PostClassic

Kyle Gann on music after the fact

Seriously Off-Topic

Somehow I happened across a blog called The Comics Curmudgeon today. Its premise is that the author (I can’t even find his name) picks out the worst three or five comic strips in the newspaper every day and makes savage fun of how pathetic they are.

This. Is. The. Funniest. Thing. I’ve. Ever. Read.

Before this, I thought The Simpsons was the funniest long-running bit of humor on earth. But this guy’s running dissections of Mary Worth, Mark Trail, For Better or Worse, Cathy, Hagar the Horrible, and so on, have made tears of laughter, joy, vindication, malice, and restored sanity run down my cheeks more than a dozen times today.

The question is, of course, why are the large majority of comic strips, which supposedly exist to create humor, so miserably unfunny? When I was a kid I devoured them, and I read them avidly into my 40s. But now when I run across a comics page, it takes awhile to search out one that seems like its creator intended it to be funny, and as Comics Curmudgeon says repeatedly, they all look, even the newer ones, as though written by crusty nonagenarians steeped in Eisenhower-era morality who refuse to consider computers anything more than a nuisance. How can almost an entire industry continue decade after decade in such pathetic straits?

The personal angle is that, before I started composing music (at age 13), I wanted to be a cartoonist. In junior high I filled many a notebook with comic strips, and even took a cartooning course from a guy whose name, I seem to remember, was Charles Hamm – NOT the musicologist. I had no talent for it whatsoever. I still have the comic books, but I will make sure they are safely consigned to the flames before I die. Later, in high school, I ran into Charles Hamm at an amusement park. I told him that I had given up cartooning, and was now a classical musician. He thought a moment, rubbed his chin, and responded, “Well, that’s sort of an art too.” The bitter truth that The Comics Curmudgeon drives home is that I could have found something to do with my life infinitely more fun than defending music no one’s ever heard of.

[AFTERTHOUGHT: Say, what if I started a new blog called “New Orchestral Pieces Curmudgeon,” to make savage fun of… no, no, it’s too cruel to contemplate.]

What’s going on here

So classical music is dead, they say. Well, well. This blog will set out to consider that dubious factoid with equanimity, if not downright enthusiasm [More]

Kyle Gann's Home Page More than you ever wanted to know about me at www.kylegann.com

PostClassic Radio The radio station that goes with the blog, all postclassical music, all the time; see the playlist at kylegann.com.

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Sites to See

American Mavericks - the Minnesota Public radio program about American music (scripted by Kyle Gann with Tom Voegeli)

Kalvos & Damian's New Music Bazaar - a cornucopia of music, interviews, information by, with, and on hundreds of intriguing composers who are not the Usual Suspects

Iridian Radio - an intelligently mellow new-music station

New Music Box - the premiere site for keeping up with what American composers are doing and thinking

The Rest Is Noise - The fine blog of critic Alex Ross

William Duckworth's Cathedral - the first interactive web composition and home page of a great postminimalist composer

Mikel Rouse's Home Page - the greatest opera composer of my generation

Eve Beglarian's Home Page- great Downtown composer

David Doty's Just Intonation site

Erling Wold's Web Site - a fine San Francisco composer of deceptively simple-seeming music, and a model web site

The Dane Rudhyar Archive - the complete site for the music, poetry, painting, and ideas of a greatly underrated composer who became America's greatest astrologer

Utopian Turtletop, John Shaw's thoughtful blog about new music and other issues

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