I have a couple of articles out this week, unfortunately neither viewable on the web: a profile of composer Lawrence Dillon in Chamber Music magazine, and a review of some composer biographies by Daniel Felsenfeld in Symphony magazine. Sorry to go so legit on you, but in difficult times, even the most disreputable of us have to attach ourselves to the mainstream.
And while I’m at it, the comments on my last few posts have taken on a life of their own, more interesting than the original posts. Since I have to OK them all individually, I’m beginning to feel like a freakin’ webmaster here. Question to Sequenza 21‘s Jerry Bowles: How do you go about getting paid for all this work?