I Win Prizes, Therefore I Am

Just in case anyone thought I was exaggerating in my recent complaints about Uptown composers and their program notes: I needed to look up composer Jennifer Higdon, and I found her official web page. It offers a "biography." And so I think, well, biography, I'll learn whether she was born in a log cabin, what her formative influences were, what age she started composing, what crises in her emotional life resulted in certain works, and so on. Here's how her "biography" runs:

Jennifer Higdon is active as a freelance composer. Born in Brooklyn, New York on December 31, 1962, she grew up in Atlanta, Georgia, and Seymour, Tennessee, and now resides in Philadelphia, Pennsylvania.

She has received awards from the Guggenheim Foundation, the American Academy of Arts & Letters (two awards), the Pew Fellowship in the Arts, the International League of Women Composers, Composers Inc. (the Lee Ettelson Prize), the University of Delaware New Music Competition, the Louisville Orchestra New Music Search, the Cincinnati Symphony's Young Composer's Competition, NACUSA, and ASCAP. In addition she has received grants from the National Endowment for the Arts, Meet-the-Composer, and the Pennsylvania Council on the Arts. She has served as Composer-in-Residence with the Music From Angel Fire Festival, the Norfolk Chamber Music Festival, the Walden School, the Yerba Buena Center in San Francisco, and the Prism Saxophone Quartet. Most recently she was named Composer-in-Residence with the Philadelphia Singers. Her orchestral work Shine was named Best Contemporary Piece of 1996 by USA Today in their year-end classical picks. In 2003, her Piano Trio was awarded Ithaca College's Heckscher Prize.

Pardon my French, but Jeepers H. Christmas, can't these Uptown composers think about ANYTHING in the world except their stupid awards? This is a BIOGRAPHY?! It's pathetic that these orchestra-circuit idiots have nothing personal to say about themselves, no aptitude for introspection, no aim in their music beyond boosting their careers, but that they are driven to impress you ad infinitum with their endless lists of awards, prizes, grants, degrees, residencies, titles - as though a mile-long resumé could make anyone in the world love your music more. And I've only quoted the beginning: look at it: it goes on for many paragraphs like this, without the slightest personal insight or any experience that someone listening to the music would give a damn about. These Uptown composers are so obsessed with their credentials it's ludicrous, and doesn't say much for their love of their art.

September 19, 2004 11:35 PM |

Categories:

Sites To See

Postclassic Radio! - Kyle Gann's internet radio station that accompanies the blog; see the playlist at kylegann.com

American Mavericks - the Minnesota Public radio program about American music (scripted by Kyle Gann with Tom Voegeli)

Kalvos & Damian's New Music Bazaar - a cornucopia of music, interviews, information by, with, and on hundreds of intriguing composers who are not the Usual Suspects

Iridian Radio - an intelligently mellow new-music station

New Music Box - the premiere site for keeping up with what American composers are doing and thinking

The Rest Is Noise - The fine blog of critic Alex Ross

William Duckworth's Cathedral - the first interactive web composition and home page of a great postminimalist composer

Mikel Rouse's Home Page - the greatest opera composer of my generation

Eve Beglarian's Home Page - great Downtown composer

Just Intonation Network - a meeting place for people interested in alternative tunings

Erling Wold's Web Site - a fine San Francisco composer of deceptively simple-seeming music, and a model web site

The Dane Rudhyar Archive - the complete site for the music, poetry, painting, and ideas of a greatly underrated composer who became America's greatest astrologer

Utopian Turtletop, John Shaw's thoughtful blog about new music and other issues

About this Entry

This page contains a single entry by PostClassic published on September 19, 2004 11:35 PM.

New Music's Most Unpronounceable Title was the previous entry in this blog.

Competitions, as Bartok Said, Are for Horses is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

AJ Ads

Introducing
AJ Arts Blog Ads

Now you can reach the most discerning arts blog readers on the internet. Target individual blogs or topics in the ArtsJournal ad network.

Advertise Here

AJ Blogs

AJBlogCentral | rss

culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
CultureGulf
Rebuilding Gulf Culture after Katrina
Dewey21C
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Flyover
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

classical music
The Future of Classical Music?
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
PostClassic
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world
Stage Write
Elizabeth Zimmer on time-based art forms

visual
Aesthetic Grounds
Public Art, Public Space
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Creative Commons License
This weblog is licensed under a Creative Commons License.