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PostClassic

Kyle Gann on music after the fact

Academia and (or Versus) Progress

I’ve just finished reading David Shenk’s lovely, humane, elegantly-written book about Alzheimer’s disease, The Forgetting (Anchor Books). What struck me most, professionally, was the view he gives of politics within the scientific community. It seems that the trend today is for scientists, rather than working together in an academic environment as they used to, to gear their research toward the profit sector, for pharmaceutical corporations. Crucial new medical findings are no longer freely shared, because a lot of money depends on getting the vaccine out first. And yet, counterproductive as this may sound, the scientists Shenk interviews, such as Allan Roses here, defend money as a more efficient motivator for scientific progress than academic prestige:

”I was in a situation where I was spending 50 to 60 percent of my time writing grants that never got funded,” [Roses] said of the contrast. “We argued for years about whether [the human gene] ApoE is inside neurons or not. It is in the neurons. We went to every meeting. They said, ‘It’s not in the neurons.’ We would write a grant proposal. ‘Oh, you can’t do that – it isn’t in neurons.’ No grant. So what we have done now is say, ‘Piss off. We’re just going to do it. We’re going to do it right and objectively, on the basis of the data’…. I don’t have to take the time or the people it would involve to publish it.

”Am I keeping anything from my fellow researchers around the world in Alzheimer’s disease? Hell no! All they ever did when I ever said anything was to say, ‘No, no, no.’ We would just argue it at all those scientific meetings. Now we debate in the context of very critical, highly skilled scientists who know that our viability as a team, our viability as a company, and our jobs depend on it – not whether we get it first into publication.” (pp. 188-189)

So innovative scientists, too, get their grants turned down by academics saying, “No, no, no, you can’t do that.” Who knew? The implications of this reconfigured career strategy for music are… well, I’ll let you work that out for yourself.

What’s going on here

So classical music is dead, they say. Well, well. This blog will set out to consider that dubious factoid with equanimity, if not downright enthusiasm [More]

Kyle Gann's Home Page More than you ever wanted to know about me at www.kylegann.com

PostClassic Radio The radio station that goes with the blog, all postclassical music, all the time; see the playlist at kylegann.com.

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Sites to See

American Mavericks - the Minnesota Public radio program about American music (scripted by Kyle Gann with Tom Voegeli)

Kalvos & Damian's New Music Bazaar - a cornucopia of music, interviews, information by, with, and on hundreds of intriguing composers who are not the Usual Suspects

Iridian Radio - an intelligently mellow new-music station

New Music Box - the premiere site for keeping up with what American composers are doing and thinking

The Rest Is Noise - The fine blog of critic Alex Ross

William Duckworth's Cathedral - the first interactive web composition and home page of a great postminimalist composer

Mikel Rouse's Home Page - the greatest opera composer of my generation

Eve Beglarian's Home Page- great Downtown composer

David Doty's Just Intonation site

Erling Wold's Web Site - a fine San Francisco composer of deceptively simple-seeming music, and a model web site

The Dane Rudhyar Archive - the complete site for the music, poetry, painting, and ideas of a greatly underrated composer who became America's greatest astrologer

Utopian Turtletop, John Shaw's thoughtful blog about new music and other issues

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