Saving the Arts from the Marketplace

I hope everyone has read William Osborne’s brilliant article on Arts Watch, ”Marketplace of Ideas” - not the first time he’s knocked my socks off with the clarity and multidisciplinary comprehensiveness of his writing. His clear-headed analysis makes the important questions easier to pose: Can we make the argument that, since the neo-liberal policies of supply-side economics, small government and free trade lead inevitably to homogenization and a reduction in diversity and choices (in the name of “efficiency”), they are a disaster for the arts? If so, then rather than try to revamp the arts to fit a rapidly narrowing marketplace, we can insist on their integrity and autonomy, and defend them in all good conscience against economically motivated charges of elitism. I doubt that there are many thinking people in America who consciously want the arts to disappear, or to vanish into a tiny spectrum of mediocrity - but we have to confront the fact that our economic policies are forcing that to happen. Osborne makes that job easier (and, unlike me, manages to make his case without any rancor directed toward the billionaires who are robbing us all blind).

John Ralston Saul, a genius and one of my favorite writers, has long taken issue with the doctrine of “efficiency,” a word that economists and politicians bandy about as an assumed universal good that no one could possibly object to. Efficiency, he points out, is a principle we want applied only to things not important to us. We want our garbage removed efficiently, but anyone who advocated efficient child-rearing - maximum good behavior in return for a minimum of care and affection - would be a monster. To handle the arts efficiently is tantamount to starving them. Also, in the name of efficiency, a city government might eliminate a certain bus route because few people use it. But then those people have to find alternate transportation, which means that the job is more efficient only from the bus company’s point of view - the burden is actually shifted onto the poor people whom local government is no longer providing with transportation. “Efficiency,” as used by economists, usually means maximizing profits for someone on top at the expense of those below. Personally, when I hear the word “efficiency,” I reach for my gun.

March 13, 2004 10:16 AM |

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Sites To See

Postclassic Radio! - Kyle Gann's internet radio station that accompanies the blog; see the playlist at kylegann.com

American Mavericks - the Minnesota Public radio program about American music (scripted by Kyle Gann with Tom Voegeli)

Kalvos & Damian's New Music Bazaar - a cornucopia of music, interviews, information by, with, and on hundreds of intriguing composers who are not the Usual Suspects

Iridian Radio - an intelligently mellow new-music station

New Music Box - the premiere site for keeping up with what American composers are doing and thinking

The Rest Is Noise - The fine blog of critic Alex Ross

William Duckworth's Cathedral - the first interactive web composition and home page of a great postminimalist composer

Mikel Rouse's Home Page - the greatest opera composer of my generation

Eve Beglarian's Home Page - great Downtown composer

Just Intonation Network - a meeting place for people interested in alternative tunings

Erling Wold's Web Site - a fine San Francisco composer of deceptively simple-seeming music, and a model web site

The Dane Rudhyar Archive - the complete site for the music, poetry, painting, and ideas of a greatly underrated composer who became America's greatest astrologer

Utopian Turtletop, John Shaw's thoughtful blog about new music and other issues

About this Entry

This page contains a single entry by PostClassic published on March 13, 2004 10:16 AM.

Notation Software Continued was the previous entry in this blog.

Ives and Gann Meet in Berlin is the next entry in this blog.

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