Checking out our new U.S. poet laureate Louise Gluck (daughter of the inventor of the X-Acto knife, and I'm going to figure out a clever comment about that if it kills me), I came across the following statement by the Laureate herself, which made me like her: The poet is supposed to be the person who can't get enough of words like "incarnadine." This was not my experience. From the time, at four or five or six, I first started reading poems, first thought of the poets I read as my companions, my predecessors, from the beginning I preferred the … [Read more...]
Declining Literacy 1: Man Plus Moment
For instance, let's take up the question which, in various forms, has been the focus of several recent Arts Journal entries: to use Douglas's wording, Why has classical music fallen off the cultural literacy menu? Why do people who still take an interest in recent novels and paintings know so little about recent music, without feeling at all ashamed that they don't know? Why has classical music ceased to be something cultured people care about, and why hasn't postclassical music replaced it? We truly don't know. This is a mystery. My usual … [Read more...]
Declining Literacy 2: Music’s Tower of Babel
Whether we're in a slump ot not, however, I can point to one obvious large obstacle to cultural literacy about recent music: an alarming disunity in the opinions of composers and critics, and even an incredible dearth of common reference points. We are in a radically splintered situation, in which the artistic figures who seem like gods to one group of musicians can sometimes be totally unknown to another group. For instance, it seems to me unquestionable that Robert Ashley, now in his 70s, is the leading, and most excitingly innovative, opera … [Read more...]
Remembering One’s Ignorance
"There are no accidents, there are no coincidences," wrote Jung. The day after Douglas McLennan asked me to consider starting a blog, I was moving some books, by chance including Thoreau's Walden. Usually when I run across it I can't resist starting to reread it. I'm now 17 years older than Thoreau was when he wrote Walden, and while he still strikes me as a brilliantly fresh, goodhearted, and highly literate fellow, as a more experienced writer than he was then I can now afford to condescend to some of his flights of verbal fancy that sound … [Read more...]

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Phillip Bush on Ives, Caught Between Two Caricatures
One of the most perceptive things I've read about Ives, anywhere. Thank you! Ives' omnivorous vision (if one use such...mclaren on Ives, Caught Between Two Caricatures
Once again we get a high-octane musician slamming a composer for producing "naïve" work. And what, I ask you, is...Bob Gilmore on Ives, Caught Between Two Caricatures
Agreed. I love Ives 1, terrific piece. But I'd have to say my favourite of all the symphonies is the...M. on Ives, Caught Between Two Caricatures
Mr. Plush has already written, in his first sentence, what I would have liked to. Consider it seconded.Bill B on Ives, Caught Between Two Caricatures
You can hear it without going to it. The concert is streamed live over WQXR, as are all of...Vincent Plush on Ives, Caught Between Two Caricatures
Kyle, you have just reminded us (as if we needed reminding) why we regard you as one of the most...Steven Ledbetter on Minimalism Invented in England, It Turns Out
Sullivan did, indeed, brilliantly solve the problem set him by Gilbert's lyric, but he didn't find it easy. In fact...Paul Schleuse on Minimalism Invented in England, It Turns Out
The additive process is clearly there, but the harmony isn't really static. The alternation between D and D maj7/sus4 is...Gene on Minimalism Invented in England, It Turns Out
"Das Rheingold" opens with six minutes of tonic, not dominant. KG replies: But after six minutes of E-flat the curtain opens...Juhani Nuorvala on Minimalism Invented in England, It Turns Out
The minimalist I'm most reminded of by that Gilbert and Sullivan piece is Tom Johnson. - For additive process, there's...