"For No Particular Reason That Anyone Could Explain"

There are two films called The Battle of Algiers. One is a cult film of the late 1960s, shot on newsreel stock and depicting the 1950s struggle of the Algerian National Liberation Front (FLN) against the French colonial occupation. Despite its skilled use of non-actors and its gritty neorealist feel, this movie contains "not a single foot" of documentary material (as director Gillo Pontecorvo often pointed out). Nonetheless, it was embraced as a training film of sorts by radicals from Berkeley to Belfast.

The other Battle of Algiers is a hot contemporary property, reportedly screened at the Pentagon in September 2003 and now available in a 3-disc set replete with retrospective documentaries and interviews with interested parties from Pontecorvo to Richard Clarke. This film's depiction of Arab radicals assassinating police and planting bombs in public places could not be more timely.

The two films are the same, of course. Only the world is different.

Or is it? With cold objectivity, The Battle of Algiers shows how the French authorities undertook to "decapitate the tapeworm" of the FLN, when that organization was assassinating policemen and planting bombs in public places. Because each FLN cell had only three members, the French found it necessary to torture hundreds of prisoners before cornering and killing the last two.

The film ends with a postscript: "For no particular reason that anyone could explain," there was an uncontrollable popular uprising two years later, which led to Algerian independence in 1962.

If you detect a note of tragic irony here, then perhaps you'll detect the same note in Clarke's comment that "it surprised the hell out of me" when Al-Qaeda seemed to grow two new heads for every one cut off. After 35 years, shouldn't counterterrorism experts be able to tell the difference between a tapeworm and a hydra?

January 31, 2006 8:38 AM |

Categories:

Soundtrax

PRC Pop 

The Chinese pop music scene is like no other ...

Remembering Elvis 

The best part of him will never leave the building ...

Beyond Country 

Like all chart categories, "country" is an arbitrary heading under which one finds the ridiculous, the sublime, and everything in between. On the sublime end, a track that I have been listening to over and over for the last six months: Wynnona Judd's version of "She Is His Only Need." The way she sings it, irony is not a color or even a set of contrasting colors; it is iridescence.

Miles the Rock Star? 

Does Miles Davis belong in the Rock 'n' Roll Hall of Fame? Here's my take on his career ...

Essay Contest 

Attention, high school jazz listeners ...

more trax

Me Elsewhere

Edward Hopper 

Painter of light (and darkness) ...

Dissed in Translation 

Here's my best shot at taking Scorcese down a few pegs ...

Henri Rousseau Revisited 

"Henri Rousseau: Jungles in Paris" appeared at the National Gallery of Art in Washington this fall ...

Paul Klee's Art 

Paul Klee was not childish, despite frequent comparisons between his art and that of children...

Our Art Belongs to Dada 

Rent my "Dadioguide" tour of the Dada show (before it moves to MoMA) ...

more picks

Blogroll

About this Entry

This page contains a single entry by Martha Bayles published on January 31, 2006 8:38 AM.

Couch Potato's Guide to Terrorism was the previous entry in this blog.

Entertained and Lived to Tell About It is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

Creative Commons License
This weblog is licensed under a Creative Commons License.