Top 10 Must-See Dance Concerts in L.A. this Year

Batsheva Dance Company presents "Sadeh 21," Ohad Naharin's new work for the company's 50th anniversary tour.

If you count carefully, you'll actually find 16 concerts listed here. I expanded the roundup I wrote for the OC Register -- which highlights the great companies that Orange County's deep-pocketed Segerstrom Center and Irvine Barclay can bring in --  to add a few more affordable offerings in Los Angeles and beyond. It's a good year for dance: read … [Read more...]

Great Moments in L.A. Dance in 2013

Gregory Maqoma in "Exit/Exist." photo: John Hogg

With strong flavors of Stravinsky, Balanchine, and Trisha Brown, 2013 was a satisfying year for iconic dance, and dance music, in Los Angeles. The centennial of Stravinsky’s game-changing “Rite of Spring” for Diaghilev’s Ballets Russes delivered unto us both the Joffrey’s faithful reconstruction of the nervy Nijinsky choreography and, earlier in … [Read more...]

Bruno Beltrão’s Grupo de Rua in “H3″

H3 - 04  C SCUMECK

[First published on Seattle Dances.] I have been waiting all fall for the Seattle debut of Bruno Beltrão’s company, Grupo de Rua. From what I read, I expected to see dark, volcanic Brazilian street dancers performing hip-hop without the accompanying loud, rapping pulse -- to thus feel time stilled and movement writ large. Though hip hop started up … [Read more...]

Bruno Beltrão’s Grupo de Rua

Bruno Beltrao | Grupo de Rua’s H3

At On the Boards, Fri - Sun Jan 28 - 31, 2010 @ 8pm. This ghostly, washed-out photo of Grupo de Rua, the contemporary Brazilian troupe run by Bruno Beltrão that's performing at On the Boards this weekend, is actually a good indicator of the luminous cinematic quality of H3, a 50-minute dance work for nine men. (Check Seattle Dances soon for a full … [Read more...]

2009: Five Best Moments in Dance

dman

In Seattle and otherwise... 1) "Esplanade" at the UW Meany Hall World Dance series. The dance that I saw as a young child that hooked me forever. It looked a little off-balance with a full-size woman in the jumping-over-bodies role (Lila York, for whom it was created, told me once that it indicated Paul Taylor's belief that the meek shall … [Read more...]