Marc-André Hamelin: A Pianist of Style, Substance, and Depth

I rarely use this space to talk about specific artists, though from time to time I have done so (Gustavo Dudamel, Gidon Kremer). But recently I encountered a pianist who so embodies the spirit that I have written about--the spirit of spontaneity and freshness and freedom in the making of music--that I cannot resist.
I have known and admired Marc-André Hamelin's recordings for many years now. But recordings, as much as I love them and collect them, cannot substitute for the live music experience, and it was with the excellent Seattle Symphony in April that I had my first in-person encounter with Hamelin. He played two works by Liszt, Totentanz and the arrangement for piano and orchestra of Schubert's Wanderer Fantasy.

The accuracy, speed, and rhythmic precision of Hamelin's playing were something to behold. Even in today's era of great technical accomplishment, there are few pianists who can equal Hamelin's clarity and fireworks. But while that is an important part of his musical arsenal, it is not what makes him so special. What knocked me over about his performances was the beauty of the slow music--played with incredibly subtle dynamic shading, phrasing of remarkable suppleness and imagination, and an ability to draw 2,000 listeners right into the music, each with the feeling that he was playing "just for me."  Totentanz can come off as a shallow showpiece that you tire of halfway through its twenty-minute length, but this performance convinced you that it was music of integrity and substance as well as brilliance.

And then there's the matter of color. Hamelin's palette of colors is extraordinary--far broader than that of most pianists. He clearly hears color and harmonic motion as interrelated, and as integral parts of the musical whole. And he's able to convey that in a totally absorbing manner.

A look at Hamelin's recorded output reveals a probing musical mind, a very real musical curiosity, and a wide range of musical interests--including much more than the heart of the Romantic repertoire. He has recorded contemporary music (particularly American), jazz, and such relatively unknown pianist-composers as Kaikhosru Sorabji (1892-1988) and Valentin Alkan (1813-1888). Hamelin seems to me to be an artist of extraordinary individuality and sensitivity, and I look forward to encountering him many times in the future. Meanwhile, his recordings will now have even more impact on me, because my mind will fill in the experience of hearing him live.

May 22, 2009 12:57 PM | | Comments (2)



This is a splendid tribute, Henry. Indeed, recordings can have a lasting legacy, but there is never a substitute for the 'real time' sound and color in the concert hall. Sound envelopes the body, and only in 'live' performance can this happen 100%. Seeing is believing as well. Glad you had this remarkable experience witnessing the beautiful talent of Marc-Andre!

Marc-André Hamelin is a truly extraordinary pianist. A few summers ago he gave a stunning rectital at the Santa Fe Chamber Music Festival and he'll be performing in four concerts this August.

Sunday August 16 - PROKOFIEV Sonata for Flute & Piano in D with flutist Tara Helen O’Connor

Tuesday August 18 - a noon recital
ALBAN BERG Piano Sonata, Op. 1
CLAUDE DEBUSSY Preludes, Book 2
CHARLES-VALENTIN ALKAN Symphony for Solo Piano

Wednesday August 19 - SCHUMANN Piano Quintet with Benny Kim and William Preucil, violins; Michael Tree, viola and Eric Kim, cello

Thursday August 20 - RACHMANINOFF Suite No. 2 for Two Pianos with Yuja Wang

More information is at

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This page contains a single entry by on the record published on May 22, 2009 12:57 PM.

Musical Programming from the Board: Not a Good Idea was the previous entry in this blog.

What I Look for in a Conducting Demo is the next entry in this blog.

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