I try hard not to use this space to review or recommend
specific items, but I must make an exception here. I have been listening
recently to some genuine miracles of audio restoration - the work of a company
called Pristine Audio. Pristine Audio uses digital technology to, in essence,
re-create the frequencies that are missing or diminished on early recordings,
thus coming much closer to a full sonic spectrum on recordings that have
always, prior to this, sounded somewhat dim. In some cases, the transformation
is truly great - bringing to life some extraordinary recorded performances that
can now be appreciated much more fully than ever before. Three of these
recordings are classics led by Willem Mengelberg, the great Dutch conductor.
Prime among them is Mengelberg's famous 1939 broadcast of
Mahler's 4th Symphony. This performance will seem eccentric by
today's standards - the lingering over the work's opening tune, including an
over-the-top portamento in the strings, will strike listeners used to modern
purity as shockingly personalized. But in 1904 Mengelberg sat in the
Concertgebouw in Amsterdam,
watching and listening as Mahler rehearsed that very symphony. Mengelberg made
notes in his score reflecting what he heard. Mahler was noted for taking
liberties with printed scores, whether his own or other composers', and so the
freedom we find in this performance strikes me as authentic and connected
directly to the composer himself. This is a famous recording, which has been
issued on many labels, but never has the range of orchestral colors been
reproduced as vividly as here. This is an essential piece of performance
history, newly brought to life. The catalogue number is PASC 055. This, like all of these recordings, can be
obtained at www.pristineaudiodirect.com.
Another stunning disc is Mengelberg's 1940 performance,
again with the Concertgebouw, of Franck's D Minor Symphony. This old warhorse,
now almost vanished from the repertoire, comes thrillingly alive in this
dramatic, intense, strongly inflected reading. The Concertgebouw plays
brilliantly, sounding as if this music really means something important to
them. Never does one feel they are just reading the notes. Rather, the
performance bristles with energy, and with beauty. This is PASC 098.
And then there is Mengelberg's New York classic from 1928 - not a live
performance like the other two, but a studio recording made at Carnegie Hall of
Richard Strauss's Ein Heldenleben, a
work dedicated to the conductor. This has always been treasured by Strauss
lovers, and RCA did a pretty good transfer of it some years back. But this
Pristine Audio version brings out a depth of color that I never knew was in the
recording, and that is very important in Strauss. What makes this performance
special is not the virtuosity of the playing - although there is plenty of that
- but the tenderness and warmth of the love music. There is a nobility and an
inner beauty that is often overlooked in splashier performances of Ein Heldenleben. Here, one feels the
composer's heart speaking directly to the listener. It is extraordinarily
moving. (PASC 104)
One fascinating rarity on Pristine Audio's list is a
recording most of us never thought we'd hear, and one never available before.
It is a performance of Bruckner's Seventh Symphony taken from a broadcast with
the New York Philharmonic under Arturo Toscanini, from 1935, and it is the only
known recording of Toscanini conducting Bruckner. To say that this is an
important piece of music performance history would be an understatement, though
I must admit that to my taste Toscanini seems very far from having a genuine
feel for this music. (One must also note the original source has been damaged,
and there are some small chunks of music missing; PASC082). There is much, much
more of historic interest and importance, all of it transferred to CD in a new
way and with rich results - and I recommend browsing the Pristine Audio
website.
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