main: November 2008 Archives
Morning in America it may not be, nor am I in some shining city on a hill. It's just another day at the crest of the hill that is Park Slope, Brooklyn. But buried in my coffeeshop's calm are remnants of a joy-filled night that has bled into early moments of hopeful anticipation, which is remarkably different from instinctive anxiety. Last night, Charlie Haden's Liberation Music Orchestra--the band bassist Haden first assembled in 1968 and has reconvened during each Republican administration--had just ended Carla Bley's "Blue Anthem" during a late set at Manhattan's Blue Note when Allen Broadbent (subbing for Bley) jumped up from the piano bench.
"Obama has won!"
Someone had whispered the news in Broadbent's ear, along with the Democratic electoral-vote total at 11:20 - 297.
"Are you sure?" Haden asked, clutching his bass.
"Man!" Haden sighed with force. He stood silent a few moments. "I guess it's time to play 'Amazing Grace.'"
And they did.
I wonder what all this will mean for my infant son, Sam, who I'd promised would have to endure a cynical, ill-meaning government for only the first few months of life. Or what it will mean for my friends in New Orleans, who might dare to think that public servants who long ago turned away might just look back with concern and compassion and the political will to act. Or even in Cuba where, for most of the Bush presidency, the musicians I know have been banned from the stages and concert halls in my or any other American city.
Not unrelated is this piece of mine in today's Wall Street Journal, about one of the many types of cultural experiences and human connections denied us during the Bush years.
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Terry Teachout on the arts in New York City
Andrew Taylor on the business of arts & culture
rock culture approximately
Laura Collins-Hughes on arts, culture and coverage
Richard Kessler on arts education
Douglas McLennan's blog
Dalouge Smith advocates for the Arts
Art from the American Outback
For immediate release: the arts are marketable
No genre is the new genre
David Jays on theatre and dance
Paul Levy measures the Angles
Judith H. Dobrzynski on Culture
John Rockwell on the arts
Jan Herman - arts, media & culture with 'tude
Apollinaire Scherr talks about dance
Tobi Tobias on dance et al...
Howard Mandel's freelance Urban Improvisation
Focus on New Orleans. Jazz and Other Sounds
Doug Ramsey on Jazz and other matters...
Jeff Weinstein's Cultural Mixology
Martha Bayles on Film...
Fresh ideas on building arts communities
Greg Sandow performs a book-in-progress
Exploring Orchestras w/ Henry Fogel
Harvey Sachs on music, and various digressions
Bruce Brubaker on all things Piano
Kyle Gann on music after the fact
Greg Sandow on the future of Classical Music
Norman Lebrecht on Shifting Sound Worlds
Jerome Weeks on Books
Scott McLemee on books, ideas & trash-culture ephemera
Wendy Rosenfield: covering drama, onstage and off
Chloe Veltman on how culture will save the world
Public Art, Public Space
Regina Hackett takes her Art To Go
John Perreault's art diary
Lee Rosenbaum's Cultural Commentary
Tyler Green's modern & contemporary art blog