• Home
  • About
    • Jazz Beyond Jazz
    • Howard Mandel
    • Contact
  • AJBlogs
  • ArtsJournal

Jazz Beyond Jazz

Howard Mandel's Urban Improvisation

Chicago blues at 90

December 16, 2018 by Howard Mandel

Guitarist Jimmy Johnson’s birthday at Space – photos by Harvey Tillis

Jimmy Johnson at Space, Evanston — all photos thanks to Harvey Tillis

 Blues have been heard in Chicago for about 100 years — and blues guitarist Jimmy Johnson has been alive for 90 of them. Johnson, born just four years after Papa Charlie Jackson was reported busking with his guitar on Maxwell Street, celebrated his entry to ninth decade last Wednesday night at Space in Evanston, and proved to be as powerful and thrilling a player/singer as he’s been since the 1970s, when he played second to Otis Rush and Jimmy Dawkins.  (All photos in this post © Harvey Tillis)

from left: Dave Specter, Mike Schlick, E.G. McDanniel hidden, Brother John Kattke

But he’s been a front man, too, since at least 1978, and Johnson excelled in that role at his party, slinging barbed, biting lead lines in alternation with his compelling vocals, synced with taut rhythms from guitarist Dave Specter, bassist E.G. McDaniel, keyboard player Brother John Kattke and drummer Mike Schlick. There was not a thing old about their set — the band thoroughly invigorated material well-chosen for variety, including “You Don’t Love Me, Baby,” “Little By Little,” “Turn On Your Love Light,” “Chicken Heads” (which was a big hit for Bobby Rush, which I previously misattributed to Jimmy’s r&b-singing brother Syl Johnson), and “People Get Ready,” the great gospel-influenced anthem Curtis Mayfield wrote for the Impressions in 1965.

Kattke, Specter, Johnson, McDaniel

Originally from Holly Springs, Mississippi, where he was steeped in gospel, Johnson moved to Chicago with his family in 1950, worked as a welder and made music avocationally as electric Chicago blues emerged from Muddy Waters, Howlin’ Wolf, Buddy Guy and the other masters recorded by Chess Records — turning pro in ’59, just as the second “West Side Soul” generation including Rush, Junior Wells and Magic Sam emerged. His Delmark Records debut, Johnson’s Whacks, established his style — which besides cutting single note slashes is characterized by his high, keening voice, and no slack beats. 

Jimmy Johnson tells long-life secrets.

One of the tricks Johnson pulled at Space I’d never heard anyone do: a reverse-falsetto — a chorus sung in a range forced significantly below his natural pitch. How he did that, I don’t know. But Specter asked Johnson onstage for a few of his long-life secrets.

“Well, I think you’re taking care of yourself if you don’t drink — but I know the club here makes its money from selling alcohol, so everybody drink up!” he said. “And we all like to eat what we want to eat, right? But I’m telling you, you gotta sacrifice about some of that food, stay healthy by eating better,” he advised. “One other thing — if you live long enough, you’re going to get arthritis. Doesn’t matter if you hit 90 and don’t have it. If you live to 95, you’ll have it by then.” 

Jimmy and E.G. McDaniel

Johnson blew out a single candle on a cake as the crowd sang “Happy Birthday,” and then he played some more blues. His most recent recording is with Specter, an homage version of “Out of Bad Luck,” dedicated to Magic Sam, on Tribute, Delmark’s 65th anniversary release. Let’s hope for more from this evergreen bluesman (and of course Mr. Specter, carrying it on).

Share this:

  • Click to email this to a friend (Opens in new window)
  • Click to share on Facebook (Opens in new window)
  • Click to share on Twitter (Opens in new window)
  • Click to print (Opens in new window)

Related

Filed Under: Uncategorized

Comments

  1. Ken says

    December 16, 2018 at 9:02 pm

    I have fond memories of Jimmy Johnson at Wise Fools Pub and other clubs in the early 80s, and made a point of seeing him at Kingston Mines on a trip back to Chicago in ’95. It’s wonderful to read that he’s still singing and playing. Happy birthday, Jimmy!

  2. Kevin Lynch says

    December 16, 2018 at 9:59 pm

    Jimmy Johnson still dealing serious blues at 90. What a trip! He still looks good too. I remember hearing Jimmy at the Milwaukee Jazz Gallery in the early ’80s which, Howard, you’ll recall, is the club I recollect in in some of the memoir-ish parts my hopefully forthcoming book “Voices in the River: The Jazz Message to Democracy.” Thanks again for you support of the book, btw.

Howard Mandel

I'm a Chicago-born (and after 32 years in NYC, recently repatriated) writer, editor, author, arts reporter for National Public Radio, consultant and nascent videographer -- a veteran freelance journalist working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere, consulting on media, publishing and jazz-related issues. I'm president of the Jazz Journalists Association, a non-profit membership organization devoted to using all media to disseminate news and views about all kinds of jazz.
My books are Future Jazz (Oxford U Press, 1999) and Miles Ornette Cecil - Jazz Beyond Jazz (Routledge, 2008). I was general editor of the Illustrated Encyclopedia of Jazz and Blues (Flame Tree 2005/Billboard Books 2006). Of course I'm working on something new. . . Read More…

About Jazz Beyond Jazz

What if there's more to jazz than you suppose? What if jazz demolishes suppositions and breaks all bounds? What if jazz - and the jazz beyond, behind, under and around jazz - could enrich your life? What if jazz is the subtle, insightful, stylish, … [Read More...]

Recent Comments

  • Howard Mandel on Boogie-man Helfer bounces back from covid-depression: “thanks Don, I’ll pass along your regards — I’m keeping in close touch with Erwin. I do believe we’ll see…” Aug 22, 12:07
  • Don Meckley on Boogie-man Helfer bounces back from covid-depression: “Thanks Howard for sharing your visit with Erwin. I happened to catch his set at the Brain on March 10th,…” Aug 22, 11:42
  • Howard Mandel on Boogie-man Helfer bounces back from covid-depression: “He’ll be pleased to hear from you, Mwata.” Aug 20, 22:31
  • Mwata Bowden on Boogie-man Helfer bounces back from covid-depression: “Hi Howard, Thanks for this informative article on Erwin, it’s full of love, care and appreciation. Please extend these feelings…” Aug 20, 16:34
  • Howard Mandel on RIP Annie Ross: Her last stand with Jon Hendricks: “Thanks Glenn, Thanks for the kudos, glad you enjoyed, all’s ok here. Hoping things get even better, of course? Stay…” Jul 22, 20:03

@JazzMandel

Tweets by @jazzbeyondjazz

More Me

I'll be speaking:

JBJ Essentials

Archives

Interviews & Articles

ESP Disks — origins of jazz beyond jazz

Reviewing a sleeping giant, ESP Disks before its early '00s revival  Howard Mandel c 1997, published in issue 157, The Wire It was a time before psychedelics. Following the seismic cultural disruptions of the mid '50s, rock 'n' roll had hit a … [Read More...]

William Parker, my DownBeat feature from 1998

Howard Mandel c 1998/published by DownBeat, July 1998, under headline Beneath the Underdog (the editor's reference to Charles Mingus's autobiography): There's an anchor for New York's downtown free jazz and improv "wild bunch": his name is William … [Read More...]

Matthew Shipp, my feature for The Wire, 1998

[contextly_auto_sidebar id="IFeXJPobvykRyuU4dU68FilRPv0EE8oC"] This is a complete version of the feature on pianist Matthew Shipp I wrote for The Wire, published in February, 1998 Is this the face of New York's jazz avant now? Pianist Matt … [Read More...]

Rashied Ali (1935 – 2009), multi-directional drummer, speaks

A 1990 interview with drummer Rashied Ali, about his relationship with John Coltrane. … [Read More...]

On The Corner program notes, Merkin Hall concert 5/25/09

Miles Davis intended On The Corner to be a personal statement, an esthetic breakthrough and a social provocation upon its release in fall of 1972. He could hardly have been more successful: the album was all that, though it has taken decades for its … [Read More...]

Blogroll

Jazz Beyond Jazz
Jose Reyes’ Jazz Con Class
Roanna Forman’s Boston Jazz Blog
David Hadju’s The Famous Door
Matt Miller’s tuneOUToptIN
Richard Mitnick’s Musicsprings
A Blog Supreme (NPR)
George Grella’s The Big City
Sebastian Scotney’s LondonJazz
Alex W. Rodriguez’s Lubricity
Ralph Mirlello’s Notes on Jazz

Share this:

  • Click to email this to a friend (Opens in new window)
  • Click to share on Facebook (Opens in new window)
  • Click to share on Twitter (Opens in new window)
  • Click to print (Opens in new window)

Related

Return to top of page

an ArtsJournal blog

This blog published under a Creative Commons license

Copyright © 2021 · Magazine Pro Theme on Genesis Framework · WordPress · Log in

loading Cancel
Post was not sent - check your email addresses!
Email check failed, please try again
Sorry, your blog cannot share posts by email.