The holidays are the best of times and the worst of times for hearing music in New York City. Hosting friends and family, or being a guest on a visit, is great, until it pales. That’s when we look for entertainment options, and going out for jazz seems like the most sociable, something-for-everybody activity. The main stages typically book artists who will please casual as well as hard-core audiences. This year these big draws are two. Maria Schneider, whose orchestra has its annual residency at the Jazz Standard, and multifarious pianist … [Read more...]

Onstage at the Japan Society before concertizing with Otomo Yoshihide, Christian Marclay told a crowd, "You're going to see us do some things you'll think are interesting, but you have to understand how shocking it was to do this in the '80s, when people treated records as something precious." And thereby Marclay, famous recently for his Venice Bienalle-winning film/video/time mosaic "The Clock," posed the question looming over his performance in duet with Yoshihide, hailed for 20 years as among Tokyo's "most adventurous sound creators." Is … [Read more...]

A blues-belter with a beautiful big voice and cred in the rockin', bawdy, electric tradition, Shemekia Copeland brought a funky good time to the elegant Allen Room of Jazz at Lincoln Center last Thursday night (and probably Friday, too), backed by a a tight four-man band, carrying a slew of fresh and catchy songs. It's unusual to hear a woman in her early 30s be so powerfully plain-spoken, whether with a wide smile ("I'm a wild, wild woman, and you're a lucky man")     or haunting shiver ("Never Going Back to Memphis" from her … [Read more...]

Composer and improvising keyboardist William "WATIV" Thompson -- Mississippi-born, New Orleans-based and an Iraq war veteran who I profiled for NPR in 2005 (podcast below) when he was posting laptop computer music he created in Bagdad during free time from his counterintelligence duties -- made his first visit to New York City last week. I met him for coffee near New York University, saw him the next night at le Poisson Rouge hearing electronics innovator Morton Subotnick and the night after that took him and his companion along with my NYU … [Read more...]

Reedist Bennie Maupin, whom I interviewed in the Jazz Talk Tent at the Detroit Jazz Festival in 2006, says "One thing about Detroit, you learn how to make money." Another thing he recalls from his youth: "There's a lot of noise here because of the factories, and early on I listened to things that were basically noise. Now I incorporate those elements into my music in certain ways." Maupin has made beautiful recordings under his own name recently, but is probably still best known for playing bass clarinet throughout Miles Davis' Bitches Brew … [Read more...]

Marilyn Crispell is an improvising pianist of deep concentration and beautiful touch, who at 7:30 pm EDT tonight (Thursday, Oct 27) offers at modest cost a "private" solo concert, the webcast of a three-camera shoot, from a soundstage near her residence in Woodstock NY. This is the first I've heard of a jazz-related performer performing essentially via pay-per-view, but given the advances in capture and playback quality (plus having Burrill Crohn, a filmmaker who knows Crispell well, directing the video) the project makes perfect sense. Why … [Read more...]

Double-barrelled rare upbeat jazz news: The husband-wife team behind publicists Improvised Communications (plus a couple helpers) launch JazzDIY.com, an online "trade journal for jazz" And a composer-improviser from Oregon saves Cadence magazine, founded in 1976, from demise. Scott Menhinick and his wife Jennifer Peabody are doin' it themselves and hoping to share information on jazz business with others, while pianist-composer-publisher David Haney is turning his talents to taking longtime low-tech Cadence online, with multi-media … [Read more...]

Don't laugh at Harry Belafonte, the incomparable American/world roots folk musician and popularizer, for being caught on tv asleep or meditating last week. Laugh with him during his appearance with Steven Colbert  which he amazingly turns into a genuinely musical  and touching duet on "Jamaican Sunrise." Even Colbert gives it up to Belafonte, whose wit is quick. Indeed, at age 84 the man is a bundle of energy and sharp observation. He's been busy promoting his autobiography My Song, basking in a profile burnished by the laudatory HBO … [Read more...]

The Jazz Audience Initiative, a 21-month research project of Columbus, Ohio's Jazz Arts Group, has posted its final reports and scheduled a webinar for October 21 (free registration available) to discuss them. Among the main points: Musical tastes are socially transmitted. Jazz has relatively diverse audiences. People pay to hear specific artists. Local programming shapes local preferences. Young listeners are eclectic. Many paths lead to jazz. Jazz listeners like informal settings. The JAI study, funded largely by a $200,000 … [Read more...]

Jim O'Neal, founder in 1970 of Living Blues magazine and a serious independent researcher into American roots music, is among the 59 million Americans without health insurance, and has lymph cancer. A series of benefit concerts are scheduled to raise funds for his treatments and a fund has been set up at Commerce Bank in Kansas City to accept direct donations: checks to: Jim O'Neal Blues Fund, P.O. Box 10334, Kansas City, MO 64171 or donations via Paypal to the account onealbluesfund@aol.com. I met O'Neal and LB's co-founder, his now ex-wife … [Read more...]