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Jazz Beyond Jazz

Howard Mandel's Urban Improvisation

Toxic Gowanus, Brooklyn neighb of new music lofts

Gowanus, a Brooklyn neighborhood so unlovely it’s been named an EPA superfund site, 03gowanus_CA0-articleLarge.jpgis Ground Zero now for music lofts, as reported in my new City Arts-New York column. In a half dozen or so artist-run spaces — including IBeam, Douglas Street Collective, Littlefield, the Brooklyn Lyceum and Issue Project Room — available for presentation and rehearsal of hard-core experimental sounds, dance, video and performance art, the programming is typically spiky, ambitious and unsentimental.


That description certainly fits the great and under-acknowledged guitarist-inventor-composer-bluesman Elliott Sharp, who celebrates his 60th birthday with a solo guitar performance, collaborations with actor Steve Buscemi and filmmaker Jo Andres, sci-fi author Jack Womack and poet Tracie Morris, and premieres of a string quartet and double string quartet on March 4 at Issue Project Room. The entire concert isESHARPFORWEB.jpg a benefit to help IPR leave Gowanus for not-far-away Downtown Brooklyn (which is little more scenic, but targeted as a culture hub by Brooklyn’s borough president Marty Markowitz, who’s directed funds into IPR’s relocation and renovation). 

What I don’t get into in my article (due to old fashioned print publication space limitations) is Share, the weekly wide-open music-video jam session I attended at IPR on a Sunday night a couple weeks ago, which was more fun with electronics than I’d had in quite a while — so cool I plan to do it again. A dozen people fooling around unself-consciously, without plan or leadership, using contact mikes on garbage can lids, deconstructed and prepared electric guitars, laptop sound constructions, a Korg Monotron, conventional flute and musical cell phone apps, all pumped through fine, loud speakers, with simultaneous live video mixes . . . I twiddled knobs, drank a glass of wine and felt like I was in the midst of Morton Subotnicks’ Silver Apples of the Moon. Big fun. 
To think: Douglas Street, Littlefield, IBeam, the Lyceum and also Park Slope’s jazz spots Tea Lounge, Barbes and Puppets are just a short walk away. All this activity almost makes Brooklyn seem and sound like the East Village used to. Which much mean there are a lot of restless, quirky, ambitious and underemployed artists around, looking for places they can get together to spread out, gather friends, stay up late, make a lot of noise. Warning: Damn little boutique shopping or fine dining nearby. Mostly  warehouses abutting a stinking canal, the roaring Brooklyn-Queens Expressway and some of the grittiest truck routes from Flatbush to Red Hook.

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Howard Mandel

I'm a Chicago-born (and after 32 years in NYC, recently repatriated) writer, editor, author, arts reporter for National Public Radio, consultant and nascent videographer -- a veteran freelance journalist working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere, consulting on media, publishing and jazz-related issues. I'm president of the Jazz Journalists Association, a non-profit membership organization devoted to using all media to disseminate news and views about all kinds of jazz.
My books are Future Jazz (Oxford U Press, 1999) and Miles Ornette Cecil - Jazz Beyond Jazz (Routledge, 2008). I was general editor of the Illustrated Encyclopedia of Jazz and Blues (Flame Tree 2005/Billboard Books 2006). Of course I'm working on something new. . . Read More…

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