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Foot in Mouth

Apollinaire Scherr talks about dance

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Archives for May 2010

Friday May 28:

May 28, 2010 by Apollinaire Scherr Leave a Comment

Pathos and bathos: Baryshnikov and Lady of the Camellias … [Read more...]

Pathos and bathos: two shows

May 28, 2010 by Apollinaire Scherr Leave a Comment

Those would be Unrelated Solos, in which Baryshnikov shared a night with dancer-choreographers David Neumann, in his 40s, and Steve Paxton, 71, and Lady of the Camellias, the 1981 John Neumeier production currently enjoying its ABT premiere (or at least I hope it's enjoying it, as I'm not). While Baryshnikov reflects, Neumeier's cast of foolish characters abject: a ghoulish experience in which one … [Read more...]

Monday May 24:

May 24, 2010 by Apollinaire Scherr Leave a Comment

19th century ballet, contemporary ballet, and postmodern dance: a week in May … [Read more...]

War horse, weather vane, and negative space: three shows

May 23, 2010 by Apollinaire Scherr Leave a Comment

Sometimes, in an early draft, you make a claim  that you then find you don't have the space to prove. Usually, you throw out the dangling idea; for this review of last Tuesday's La Bayadere for the Financial Times, it seemed worth leaving the sentence in, in case it resonated with some readers. See if you can guess which it is. Here's a chunk of the review: La Bayadère not only unites campy … [Read more...]

Balanchine and the latest Ratmansky wonder

May 9, 2010 by Apollinaire Scherr Leave a Comment

Maybe I will connect the subjects, in the heading above, later in the week. For now, only have time to post the reviews. Last day to see the new Ratmansky is Wednesday. Be forewarned: it has a shape all its own, which revealed itself, to me, anyway, only on a second viewing. But if you know from the start that the hour-long work--in itself an odd length for a ballet, neither the usual full-length … [Read more...]

Saturday May 1

May 1, 2010 by Apollinaire Scherr Leave a Comment

Stephen Petronio mesmerizes … [Read more...]

Critic mesmerized

May 1, 2010 by Apollinaire Scherr Leave a Comment

I have always admired choreographer Stephen Petronio, but also have had certain reticences here and there: that the sophisticated bad-boy tone held the choreography back or that Petronio didn't take sufficient advantage of his strong musical propensities. This past Tuesday, however, I was awed: one of those happy experiences where you come out of the theater recognizing with alarm how absorbed you … [Read more...]

Apollinaire Scherr

is the New York-based dance critic for the Financial Times. She has written regularly for The New Yorker, The New York Times, and Newsday, as well as SF Weekly and the East Bay Express, in the Bay Area. She has contributed to... Read More…

Foot in Mouth

This blog's concern is the tricky business of recognizing dance's peculiar language and history … [Read More...]

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