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Foot in Mouth

Apollinaire Scherr talks about dance

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Archives for 2010

Nutcracker suite

December 28, 2010 by Apollinaire Scherr Leave a Comment

Yes, ridiculous: now that all the nuts are cracked, I get around to posting these. It was an especially bountiful Nutcracker season here in New York. Besides the glorious perennial, New York City Ballet's Balanchine production, Ratmansky mounted his very own version for ABT and Mark Morris's Hard Nut made a rare (too rare, I say) East Coast appearance. The Ratmansky excited me so much, I hardly … [Read more...]

Monday December 27

December 27, 2010 by Apollinaire Scherr Leave a Comment

The Ailey legacy, misinterpreted by the founder's own company … [Read more...]

The yearly Ailey surprise

December 27, 2010 by Apollinaire Scherr Leave a Comment

Because Alvin Ailey American Dance Theater has tended to extrapolate badly from its founder's aesthetic and ethos, I forget every year what a strong craftsman Ailey was. Even when he was tired, the work had merit. Revelations is always my first reminder of his craft--and, no, he wasn't tired for that--followed this year by Cry, Night Creatures, and the final section of Three Black Kings. In fact, … [Read more...]

Saturday November 27

November 27, 2010 by Apollinaire Scherr

Neither here nor there: dances that don't bridge a gap … [Read more...]

Neither here nor there

November 16, 2010 by Apollinaire Scherr 1 Comment

Hmmmm.... It must be something in the air--or in me--that the experimental works this month seemed too much between one thing and another, without ever wresting their own potent identity. They felt insufficiently steeped, like a stew that hasn't sat and simmered long enough for the flavors to blend. With Neil Greenberg's (like a vase), the steps were precise yet coded, private, partial: Neil … [Read more...]

November 8:

November 7, 2010 by Apollinaire Scherr Leave a Comment

European import: bright young choreographers from overseas … [Read more...]

European import

November 6, 2010 by Apollinaire Scherr Leave a Comment

This season we've had contemporary European dance not only at BAM, the usual suspect, but also at the Joyce, with Belgium's Ballets C de la B earlier this month and more recently Cedar Lake, its reputation as purveyor of B-list--or at least green--European choreographers (with a few A-list Israelis in the mix) now solid. I sound typically New Yorker, don't I? Jaded to the point of provinciality. … [Read more...]

Saturday, October 23

October 23, 2010 by Apollinaire Scherr Leave a Comment

the exciting bother of writing about strange, meta-meta, pieces.  … [Read more...]

Conundrum: how to write about left field shows

October 23, 2010 by Apollinaire Scherr 1 Comment

With dances that use an academic or codified language, the route to the matter at hand is relatively direct. Not so when not steps, not structure, but method--more intangible, less empirically provable--is the reigning force. In that case, it doesn't do for the critic to isolate effects; they are mere flotsam--analogues. Of course, writers do isolate all the time, with the result that the dance … [Read more...]

Sunday October 10

October 10, 2010 by Apollinaire Scherr

The tricky craft of curation, more philosophies than a choreographer could have dreamed of, and other thoughts for the beginning of the season … [Read more...]

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Apollinaire Scherr

is the New York-based dance critic for the Financial Times. She has written regularly for The New Yorker, The New York Times, and Newsday, as well as SF Weekly and the East Bay Express, in the Bay Area. She has contributed to... Read More…

Foot in Mouth

This blog's concern is the tricky business of recognizing dance's peculiar language and history … [Read More...]

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