• Home
  • About
    • Foot in Mouth
    • Apollinaire Scherr
    • Contact
  • AJBlogs
  • ArtsJournal

Foot in Mouth

Apollinaire Scherr talks about dance

Paul’s planet

September 14, 2008 by Apollinaire Scherr 1 Comment

A critic can’t be objective about
her friends’ work, and she shouldn’t try: it’s wrenching–and dangerous to friendship.

Still, I feel safe in saying that my friend Paul Lazar is FANTASTIC–so charming and ridiculous, and inadvertently wise–in his starring role as the center of the whirring asteroid that is “1965UU,” a one-act play about language and its human predicaments–about love and inertia–by inveterate “scribbler” (as he puts it) Mac Wellman. “1965UU” plays the Chocolate Factory, by the East River in Queens, just through October 4. So run! 

The only way a shadow happens on this unabatably bright planet is by a thickening of light.
And that’s how sense and story work here too–leaping so high into the comical, weightless absurd that they become their opposite. Imagine Beckett by way of Monty Python, or the Little Prince, but after he grew up and no one thought he was so cute anymore though he still had an arresting angle on things. While it’s probably especially
pleasing to people who love the stickiness and slipperiness of words, “1965UU” never
has the curdled cleverness you get when language isn’t hoping to
snag fact and romance from the world.

I think its success is largely due to Paul, whom you may know for his performances with the Wooster Group or the stupendous Big Dance Theater, which he directs with his wife, Annie-B Parson. As
a wise fool whose name may or may not mean “radish,” Paul galvanizes the
rest of the asteroid population (and an excellent small cast). Also spot-on: the direction, with perfectly placed special effects, by
Stephen Mellor.


“1965UU” plays two more weekends only!!! Thursdays through Saturdays at 8
pm one stop east of Grand Central Station. (Take the 7 from Manhattan
or, if you dare, the good old reliable G from Brooklyn. If you live in Queens and can bring a bill to prove it, the show is FREE on Thursdays.)

For details, here’s the Chocolate Factory website.

And I just discovered Foot contributor Eva Yaa Asantewaa’s delicious review on her website, Infinite Body.

Filed Under: main

Comments

  1. Maria says

    September 15, 2008 at 10:51 am

    The joy of having a blog: being able to write whatever you want! I.e., giving well deserved props to a friend and not have to worry about getting accused of a conflict of interest.
    The show sounds like fun.
    Apollinaire responds: yes, the show’s very very fun–and a good deal more. Thanks for writing!

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Apollinaire Scherr

is the New York-based dance critic for the Financial Times. She has written regularly for The New Yorker, The New York Times, and Newsday, as well as SF Weekly and the East Bay Express, in the Bay Area. She has contributed to... Read More…

Foot in Mouth

This blog's concern is the tricky business of recognizing dance's peculiar language and history … [Read More...]

Archives

Return to top of page

an ArtsJournal blog

This blog published under a Creative Commons license

Copyright © 2025 · Magazine Pro Theme on Genesis Framework · WordPress · Log in