Olesia Novikova: check her out


novikova-kitri-DQ.jpg

...in the Kirov's three-week season at City Center. As top shade in "La Bayadere" last night (led by doll-like Alina Somova), she moved with the wind at her back, like a prisoner of Dante's Inferno, the weight of memory and hope flying away from her. Until she appeared, most everything had been so studied.

Tonight, she leads in a tidbit from "Raymonda" (what's with these tidbits? Would have much preferred one long ballet). Later in the season, she dances Nikiya in the "Bayadere" 3rd Act, the lead in "Rubies" and a pas de deux from "Diana and Acteon," and some Forsythe.

This is the first I've seen of Novikova, so I don't really know how she'll do in other parts, but am excited to find out.

April 2, 2008 1:29 PM | | Comments (1)

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Did you like her in Rubies? I LOVED her in that! Unfortunately it was the only time I was able to see her this season.

Apollinaire responds: Well, I loved HER, but I guess I'm with Sir Alastair in finding her "all wrong" in the part. She didn't have enough going on in her center, it seemed to me--not enough juice--and I think she confused the vulgarity of the role with STRETCHing her legs a lot. But I'm still excited about her--from her shade in "La Bayadere" and then from the Forsythe, which she made so slippery and good-hearted. She's like Vishneva (for me, anyway), in that she makes me think, what a good person! I like dancers that exude that (and also dancers, like Nureyev, who don't at all). So nice to hear from you, Tonya!

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Topics on Tap

Friday, April 25, Apollinaire: Exclusive interviews: Misha, Wendy, and Damian on Jerome Robbins.
Tuesday April 22, Apollinaire: Akram Khan and Sidi Larbi Cherkaoui's moving testament to the moment 
Wednesday April 16, Apollinaire:  The Kirov's beautiful idea of Forsythe
April 9, Apollinaire: How the Nrityagram Dance Ensemble extends an ancient tradition without stretching it thin.
April 7, Andy Podell:  The Kirov does all Fokine
Wednesday April 2, Apollinaire:  Kirov newcomer Olesia Novikova rushes into view at City Center.
Friday, March 28, Apollinaire:  Emanuel Gat breaks open Mozart's Requiem, and it is (still) beautiful! 
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Contributors

Eva Yaa Asantewaa 

has written dance journalism and criticism since 1976, published most notably in Dance Magazine, Soho News, The Village Voice, The New York Times, The Philadelphia Inquirer, and Gay City News, and on her own blog, InfiniteBody.

Paul Parish 

is a regular contributor to Danceviewtimes and San Francisco magazine, and has contributed to many other publications. He was a Rhodes Scholar same time as Bill Clinton. He lives and dances in Berkeley.

Me Elsewhere

Recently in Newsday and elsewhere... 

--A featurette on the Jaurena tango family, at Thalia Spanish Theatre through March 23

--in New York magazine, an essay on La Vishneva, character and creator in one.

--the spirit of ISH: the Belgian Filipino founder of the Holland youth empire explains in a short feature on the troupe's appearance at the Staller Center in Stony Brook, Long Island

--a Newsday profile of Paul Taylor dancer Michael Trusnovec, with slide show!

--a featurette on the Perm Ballet's newly refurbished and lovely "Romeo and Juliet," touring the hinterlands

--a review of Mark Morris's staging of Purcell's "King Arthur," at New York City Opera through March 15

--a preview feature of the St. Petersburg Ballet Theatre's "Carmen," at Stony Brook, LI, March 16, and other places hither and thither

--a preview of two puppet shows: Basil Twist's "Petrushka" and the Hudson Vagabond's Beatrix Potter ballets

more elsewhere

About this Entry

This page contains a single entry by foot in mouth published on April 2, 2008 1:29 PM.

Friday, March 28, Apollinaire: was the previous entry in this blog.

Wednesday April 2, Apollinaire: is the next entry in this blog.

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