GO: Amalia Hernandez's Ballet Folklorico de Mexico

For this preview in Newsday, I went to see Hernandez's Ballet Folklorico in the Bronx. Parts of it--the many parts with live music--were so beautiful and sweet, I wanted to cry. (So did a lot of the rest of the audience, it sounded like.)

Anyway, the company is playing all up and down the East coast for the next two months (I mention only the local shows in my Newsday article), so for a treat, catch them.

P.S. Please check out wonderful readers' contributions in the two earlier posts--this, on active audiences, and this, on how Pavlova was doing the Pavarotti thing a hundred years ago. (I know, I know, it's ridiculous: nothing for a week and then three posts at once.)

October 11, 2007 12:04 PM | | Comments (0)

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Topics on Tap

Apollinaire, Saturday July 5: Neil Greenberg's surface unconscious
Apollinaire, Wednesday June 11: Premieres by the Bolshoi's Alexei Ratmansky, Twyla Tharp, and Michael Clark--lot o' thoughts
Saturday May 17, Apollinaire:  Eleanor Bauer's refreshing and expansive "At Large"
May 10, Lori Ortiz and Apollinaire: war dances and the new Inertia Movement
Tuesday May 6, Apollinaire:  The unbearably anxious "Watermill"
Sunday, May 4, Apollinaire, Paul, and Claire Willey: What's going on with the loss of so many critics?
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Contributors

Eva Yaa Asantewaa 

has written dance journalism and criticism since 1976, published most notably in Dance Magazine, Soho News, The Village Voice, The New York Times, The Philadelphia Inquirer, and Gay City News, and on her own blog, InfiniteBody.

Paul Parish 

is a regular contributor to Danceviewtimes and San Francisco magazine, and has contributed to many other publications. He was a Rhodes Scholar same time as Bill Clinton. He lives and dances in Berkeley.

Me Elsewhere

About this Entry

This page contains a single entry by foot in mouth published on October 11, 2007 12:04 PM.

Shimmyblogger Natalia: We don't need no Pavarotti, we need a Michael Jordan. The Foot crew responds. was the previous entry in this blog.

The British Guardian borrows our ideas. (You're welcome!) is the next entry in this blog.

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