GO: Keo Woolford in "I Land"

This just in from Eva:

A dancer friend of mine tells me she thinks Keo Woolford (of the autobiographical one-man show, "I Land") is a John Leguizamo wannabe. I can see some of that, but the brilliantly talented Woolford has far more charm and opens a window onto an experience and perspective that is less familiar to us. My friend and I agree on one thing: It would be great to see more of his dancing.

The 90-minute piece, directed by Roberta Uno, runs through Sunday at The Culture Project. It traces the ups and downs of Woolford's youth in Hawaii and touches on his development as a student and performer of the ancient, authentic hula--a sacred dance of dignity and focused power.

Woolford's acting is a full-bodied affair--storytelling amplified by body language and gesture: nonstop movement, really--including choreography by Robert Cazimero (hula) and Rokafella (hip hop). It spans the range of human emotions, and when it is funny, it is very funny indeed.

Let's hope that Woolford will return to New York soon. In the meantime, if you'd like to try to catch this show, click on The Culture Project or Ma-Yi Theatre. --Eva Yaa Asantewaa

May 11, 2007 8:08 AM | | Comments (0)

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Monday August 2: a bouquet of summer dances--and reviews
Tuesday July 13 Apollinaire opens mouth especially wide--to give the Dance Critics Association's keynote address. Foot in Mouth readers get special reduced ticket price. 
Thursday July 1 Intergalactic Savion and his ancestors on earth: Tap goings-on this month.
Saturday, June 19 Ashton, contemporary ballet premieres, Graham and John Jasperse: dance all around town 
Friday May 28: Pathos and bathos: Baryshnikov and Lady of the Camellias
Monday May 24: 19th century ballet, contemporary ballet, and postmodern dance: a week in May
Saturday May 1 Stephen Petronio mesmerizes
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Contributors

Eva Yaa Asantewaa 

has written dance journalism and criticism since 1976, published most notably in Dance Magazine, Soho News, The Village Voice, The New York Times, The Philadelphia Inquirer, and Gay City News, and on her own blog, InfiniteBody.

Paul Parish 

is a regular contributor to Danceviewtimes and San Francisco magazine, and has contributed to many other publications. He was a Rhodes Scholar same time as Bill Clinton. He lives and dances in Berkeley.

Me Elsewhere

About this Entry

This page contains a single entry by foot in mouth published on May 11, 2007 8:08 AM.

Go: Mark Morris directing Gluck's "Orfeo ed Euridice" at the Met was the previous entry in this blog.

Tonya Plank: Why do my friends clamor for opera, but not ballet? is the next entry in this blog.

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