Paul Parish: I concede. On the other hand, quality-time-with-your-own-mind fits too conveniently into niche marketing

[Paul is responding to a whole chain of posts that started out with thoughts on Balanchine's ballets "Liebeslieder Walzer" and "Serenade," but has now taken on all of Western Civilization. (This should probably be the cue to stop...)]

I concede everything Marc says. And I don't want to go back to national Christianity any more than I'd go back to astrology. There IS a nostalgia for it which I feel personally, but my personal feelings aren't the point -- it's the popular culture that's lost its bearings.

I think the big mistake was when we agreed to stop seeing ourselves as citizens and came to accept the idea that we're consumers.

Niche-making seems to be the acceptable outlet, approved by the capitalists, for those who want "quality-time-with-my-own-mind." It's pervasive, for sure, but just another disintegrating factor for the culture, another atomising force that valorizes individual pursuits, "whatever," mostly because that's the easiest way to get money out of a lonely person -- you've got to identify the person with the money and then identify his tastes, and then you're in.

As for Orwell: in his defense, he noticed that the strength of Christianity was not the punishment it threatened wrong-doers with but the hope of being reunited with people who'd died that you'd loved. The more friends you've lost, the more you'll feel the appeal of this.

February 9, 2007 12:06 PM | | Comments (0)

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Monday June 1 June dances
Monday May 4: Frankie Manning's gifts
April 28: Joe Goode: Zen camp
April 21 Merce Cunningham's "Nearly Ninety": a review and some notes
April 20 With UC budget cuts, dance programs at risk
April 18 
Some final exits at Merce Cunningham's ninetieth birthday show
Monday April 13:  Vicky Shick's ripe Glimpse
Wed April 8 Did dance organizations have their heads in the clouds when they secured large spaces--a seeming future--for themselves? 
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Contributors

Eva Yaa Asantewaa 

has written dance journalism and criticism since 1976, published most notably in Dance Magazine, Soho News, The Village Voice, The New York Times, The Philadelphia Inquirer, and Gay City News, and on her own blog, InfiniteBody.

Paul Parish 

is a regular contributor to Danceviewtimes and San Francisco magazine, and has contributed to many other publications. He was a Rhodes Scholar same time as Bill Clinton. He lives and dances in Berkeley.

Me Elsewhere

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