Leading "the girls"

So the New York Times has hired its next chief dance critic, to replace John Rockwell: the fine Alastair Macaulay, of London. Some day, I will write a long post about the short Rockwell reign and the endless Anna Kisselgoff era: all the things they did wrong, and the few, right. But today--with deadlines coming out of my ears--I just want to say: I can't think of a more serious and worthy critic writing today than Macaulay, and still I am dismayed.

The prospect of a man leading "the girls"-- as Rockwell liked to call the three freelancers, ages 28 to 40something, who have been busting their behinds at the Times for the last two years--would be distasteful in any case, but particularly in an art form with a vast majority of women. Women are most of the dancers, at least half of the choreographers, most of the audience members and most of the writers, though not the paid writers.

Women haven't been particularly well-represented in journalism. Perhaps it is because in journalism you have to be willing to improvise--to say what you think with hardly any time to think it--and women are more inclined to want to be sure of themselves before they make their thoughts public. Or they are until their mid-30s, when they realize that their conscientiousness is getting them nowhere. That's how it was for me and many of my friends, anyway.

The Times hired someone with a long and impressive track record--a man, of course, because who's going to hire an old woman?

That Macaulay hails from London is another slap in the face. The Times couldn't come up with one worthy critic from its home town? Because it is low on funds, dance is largely a local matter. All sorts of dance species have evolved here, never to be seen elsewhere. A Londoner wouldn't know about them. Of course, Macaulay will have "the girls" to cover for him until he's up to speed.

My suggestion to the Times: make a co-appointment. Have TWO chiefs, like you do with the movie critics. Make the other one a New Yorker and a woman. If she has fewer credentials, well, of course. Let her grow into the job.

February 16, 2007 12:07 AM | | Comments (0)

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Topics on Tap

Apollinaire, Saturday July 5: Neil Greenberg's surface unconscious
Apollinaire, Wednesday June 11: Premieres by the Bolshoi's Alexei Ratmansky, Twyla Tharp, and Michael Clark--lot o' thoughts
Saturday May 17, Apollinaire:  Eleanor Bauer's refreshing and expansive "At Large"
May 10, Lori Ortiz and Apollinaire: war dances and the new Inertia Movement
Tuesday May 6, Apollinaire:  The unbearably anxious "Watermill"
Sunday, May 4, Apollinaire, Paul, and Claire Willey: What's going on with the loss of so many critics?
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Contributors

Eva Yaa Asantewaa 

has written dance journalism and criticism since 1976, published most notably in Dance Magazine, Soho News, The Village Voice, The New York Times, The Philadelphia Inquirer, and Gay City News, and on her own blog, InfiniteBody.

Paul Parish 

is a regular contributor to Danceviewtimes and San Francisco magazine, and has contributed to many other publications. He was a Rhodes Scholar same time as Bill Clinton. He lives and dances in Berkeley.

Me Elsewhere

About this Entry

This page contains a single entry by foot in mouth published on February 16, 2007 12:07 AM.

No, I really do like comments.... was the previous entry in this blog.

A reader responds: You're nuts. Apollinaire responds. Postscript from Paul Parish. [UPDATED Feb. 25 with summary of vaporized comments] is the next entry in this blog.

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