A choreographer comes forward: "I have made a dance to Dylan."

[ed. note: I received this email last night, from choreographer Janis Brenner]

Someone referred me to your excellent site because of your dialogue on Tharp and Dylan. I love the whole conversation. I do want to let you know that in 1995-96 I made a work to several Dylan songs, entitled "What About Bob" (before there was a movie...), which first uses really outrageous renditions of Dylan classics -- "sung" (butchered) by Sebastian Cabot and William Shatner -- and then finally the real Dylan, in "Like A Rolling Stone" and "It Ain't Me Babe." The piece goes from truly absurd to rather poignant.

Literally yesterday, I was in rehearsal reviving the final duet section, created with dancer-choreographer Richard Siegal, for a spot on my 25th anniversary season coming up this February 1-4. Richard and I were discussing the fact that I had made this work more than ten years ago, and recalled being quite nervous about attempting to do ANYTHING to Dylan, a childhood hero of mine.

We did tour the work on and off for a few years, and it was always much better received than I had ever anticipated. I think if I had created the work soley to the famous Dylan songs and not had the terrible/hilarious versions first, the piece might never have worked. I was saved by Shatner (doing "Mr. Tambourine Man") and Cabot, and the idea of a rather twisted tribute to folk music and folk dance.

When I heard that Twyla Tharp was attemping a full-scale, Broadway production to Dylan...well, I must say, I was worried for her right from the outset. I was lucky, and kept my love for and tribute to him small-scale and encased in other ideas.

So, yes, and why not!? Someone should put together an evening of individual, small-scale Dylan interpretations. If it's done, we'll be ready. Come see our absurd-yet-heartfelt duet in February. And thank you for all this astute, necesssary dance dialogue.

Janis Brenner

November 17, 2006 9:51 AM | | Comments (0)

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Monday August 2: a bouquet of summer dances--and reviews
Tuesday July 13 Apollinaire opens mouth especially wide--to give the Dance Critics Association's keynote address. Foot in Mouth readers get special reduced ticket price. 
Thursday July 1 Intergalactic Savion and his ancestors on earth: Tap goings-on this month.
Saturday, June 19 Ashton, contemporary ballet premieres, Graham and John Jasperse: dance all around town 
Friday May 28: Pathos and bathos: Baryshnikov and Lady of the Camellias
Monday May 24: 19th century ballet, contemporary ballet, and postmodern dance: a week in May
Saturday May 1 Stephen Petronio mesmerizes
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Contributors

Eva Yaa Asantewaa 

has written dance journalism and criticism since 1976, published most notably in Dance Magazine, Soho News, The Village Voice, The New York Times, The Philadelphia Inquirer, and Gay City News, and on her own blog, InfiniteBody.

Paul Parish 

is a regular contributor to Danceviewtimes and San Francisco magazine, and has contributed to many other publications. He was a Rhodes Scholar same time as Bill Clinton. He lives and dances in Berkeley.

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About this Entry

This page contains a single entry by foot in mouth published on November 17, 2006 9:51 AM.

Apollinaire: Sweet Dylan Suite was the previous entry in this blog.

Odd and ends: comments from readers and a question to readers is the next entry in this blog.

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