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Foot in Mouth

Apollinaire Scherr talks about dance

second response, from Annie-B Parson

September 30, 2006 by Apollinaire Scherr Leave a Comment

Why would rhythmically based choreography necessarily have more interest than the example you give of the two sides of the body performing disparate intentions? Both utilize simple dance elements, so why the hierarchy?
[editor’s note: Annie-B Parson is co-choreographer and co-director with Paul Lazar of the widely acclaimed Big Dance Theater, based in New York]

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Apollinaire Scherr

is the New York-based dance critic for the Financial Times. She has written regularly for The New Yorker, The New York Times, and Newsday, as well as SF Weekly and the East Bay Express, in the Bay Area. She has contributed to... Read More…

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