Visual Art News - Criticism: March 2009 Archives
Playboy, the magazine, used to say something, because it used to say something about the female body, something that was erotic, not just sexual.
What’s the difference? Erotic, in my mind, is fleeting, ineffable, hard to pin down, tantalizingly elusive, and pleasurable for it. Sexual is fine, but it’s concrete.
The difference between them, you might say, is the difference between faith and knowledge. Playboy these days, as Molly Young rightly describes it in this insightful essay for N1BR, the online book review of the annual n+1 magazine: “Playboy ceases to be about the erotic everyday encounter. Flesh and blood women turn to images; the “girl next door” becomes distinctly mediated.”
The bunnies were always mediated, of course, but something about the earlier photographs made you forget the medium and feel as though you were staring straight into the eyes of a luscious partner. Enthusiastic photoshopping has aided the transformation. Gone are the freckles and downy arm hairs of the predecessors. Breasts are surgically standardized; gym routines and spray tans produce identically toned and tinted bodies. Girls of all ethnicities blend together into one latte-colored woman, and the result looks computer-generated. When you try to imagine how the models might feel and smell, things like rubber come to mind.
I happened to read Young’s piece before interviewing Ed Coyle, a photographer of black-and-white nudes here in Charleston who loves women the way Hugh Hefner loves women. The difference is that Coyle’s nudes do not blend together into “one latte-colored woman.” Coyle’s nudes are of course mediated through his lens and his eye, but they are not blurred into a composite ideal of sensual femininity.
Instead, he seeks out what makes an individual women distinct (most of them in their 30s and 40s, many of them having borne children) and therefore what makes her beautiful. Beauty is in the freckles and curves and appearance of comfort. It was charming to discuss the craft of man so clearly enamored of women, especially older women, he says, who “get it,” but also so clearly in love with the discovery of their beauty.
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Terry Teachout on the arts in New York City
Andrew Taylor on the business of arts & culture
rock culture approximately
Laura Collins-Hughes on arts, culture and coverage
Richard Kessler on arts education
Douglas McLennan's blog
Dalouge Smith advocates for the Arts
Art from the American Outback
For immediate release: the arts are marketable
No genre is the new genre
David Jays on theatre and dance
Paul Levy measures the Angles
Judith H. Dobrzynski on Culture
John Rockwell on the arts
Jan Herman - arts, media & culture with 'tude
Apollinaire Scherr talks about dance
Tobi Tobias on dance et al...
Howard Mandel's freelance Urban Improvisation
Focus on New Orleans. Jazz and Other Sounds
Doug Ramsey on Jazz and other matters...
Jeff Weinstein's Cultural Mixology
Martha Bayles on Film...
Fresh ideas on building arts communities
Greg Sandow performs a book-in-progress
Exploring Orchestras w/ Henry Fogel
Harvey Sachs on music, and various digressions
Bruce Brubaker on all things Piano
Kyle Gann on music after the fact
Greg Sandow on the future of Classical Music
Norman Lebrecht on Shifting Sound Worlds
Jerome Weeks on Books
Scott McLemee on books, ideas & trash-culture ephemera
Wendy Rosenfield: covering drama, onstage and off
Chloe Veltman on how culture will save the world
Public Art, Public Space
Regina Hackett takes her Art To Go
John Perreault's art diary
Lee Rosenbaum's Cultural Commentary
Tyler Green's modern & contemporary art blog