Uncategorized: February 2007 Archives
A literature teacher of mine preached that the word tragedy should be used sparingly in journalism when referring to the death of an individual. His premise was that death is natural and crime is sordid.
Yet, there are times when it is difficult to use anything but the word "tragic" to refer to a death. It has been the only word on my tongue this morning as I talk with people about the death--and apparent homicide--of Robert Busby, a man known as the honorary mayor of Lansing's Old Town.
Robert is truly one of those unsung heroes. He's someone who has done more for visual art, music, poetry, and theater in Lansing than any other single individual. Back when Old Town was "north Lansing", he had a vision for the neighborhood that looked beyond the boarded up buildings and high crime rate. Over the past 20 years, he's labored quietly and untiringly to see that vision come to life.
A successful businessman, Robert opened the Creole Gallery, a place that quickly became the center of exciting things happening in Old Town and in the arts scene in Lansing. Such artists as Wynton Marsalis and Tyree Guyton became regular performers and exhibitors there. In a city that is desperately short on performance spaces, Robert and his partner Meegan Holland opened up the stage and partnered with local theater groups. Icarus Falling has made its home there and Riverwalk Theater performs its black box productions there.
Indeed, Icarus Falling is in the middle of its world premiere run of Fatal Error, a surreal comedy written by two local playwrights. It's not known yet whether they will cancel the rest of their run or move to a different space. Robert's body was found in the basement of the Gallery and the space is still roped off as a crime scene.
Robert's support of the arts went beyond what happened between the walls of his building. He was a friend and supporter of every business that came into Old Town, encouraging them and always being present at whatever event was taking place. His support went beyond Old Town as well, stretching out to support art wherever it could be found in the community. He and Meegan brought together diverse people in the community, hosting receptions after shows and parties that fostered dialog between busy people. He was a patron of BoarsHead, a group that is already reeling from the loss of grant money and the death of another individual donor that sparked a change in schedule and the layoff of three staff members this past weekend.
Robert Busby will be greatly missed. He's left behind a gaping hole that will take many people to step forward and fill so that his dreams for a thriving, cultural community does not die with him.
There are so many ways to create art and artists are constantly exploring in every medium.
Two Lansing, Michigan playwrights are premiering a show this evening that grew out of an e-mail conversation. They began riffing on the banalities of overheard office conversation and from there, a play grew. What it has to do with tormented hamsters remains to be seen. When asked what he'd like the audience to leave with, Playwright and Icarus Falling Artistic Director Jeff Croff responded with, "I would like them to leave with less money ... er, actually, I'd prefer they leave with the need to talk about the show with friends over coffee. I'd like them to leave with a bit of exhaustion and wonder. I'd like them to leave that poor little hamster alone."
On another related note, the interview for this story ended up being a lot of fun. Since the play had its genesis in e-mail, we decided to do the interview as a three-way chat between myself and the two playwrights. It was a medium we were all comfortable with and it fostered a great deal of banter and perhaps more spontaneity than we might have had in a more traditional format. As a journalist, it also helped to have all their responses typed and saved and be able to concentrate during the interview on asking questions and talking with both people.
I'm so glad to see this post has inspired so much discussion. To add another layer, here is the reader's response to my reply, which I also posted to my blog on the Savannah Morning News website. Notice how the tone of voice has changed. Perhaps the public forum in which this conversation is taking place has had a positive impact.
Jeff Daniels creates another gem
Long a favorite in Michigan for creating The Purple Rose theater in Chelsea and for his perennial sell-out play Escanaba in da Moonlight, Jeff Daniels has garnered yet more laurels for his dramatic abilities.
The American Theatre Critics' Association has named Daniels' "Guest Artist" as one of six finalists in their annual new plays competition.
Jeff Daniels is someone who is passionate about his belief that theater exists outside of the major cultural centers. When writing about why he left New York to open a theater in a small town in the Midwest, he says:
Years later, after moving back home to Michigan, I bought an old bus garage in the small town of Chelsea with the dream of creating a Midwestern answer to Circle Rep. I wanted a professional theatre company, featuring Midwestern actors, directors, designers and playwrights, situated in the middle of America, producing plays about the middle of America. People, of course, thought I was an idiot. From the local critics who wanted the latest shows from New York starring my "movie star friends" to the townspeople who thought Art was someone who lived out by the highway, no one could understand what I was trying to do. It made no sense. Except to all those local actors, directors, designers, and especially playwrights, who call the Midwest their home.
In case you haven't noticed, the New American Play can't get a cup of coffee in New York. It seems to me that if the American Theatre is to remain vital it must produce American plays, and it can only do that by supporting, nurturing, and developing American playwrights. Period. Just like Circle Rep did.
That's what we do here at The Purple Rose and we love it.
(Thanks to Roger LeLievre, mlive.com)
Dance Troupe celebrates 16 years
Dance Kaleidescope Choreographer and Artistic Director David Hochoy trained in New York, but has found a home in Indianapolis. The modern dance troupe is one he says reflects the community as well as his artistic aesthete.
This summer marks their last season with the Oregon Shakespeare Festival and they're now looking to expand in their home town.
(Thanks to Whitney Smith, Indy Star)
Martinis and Mozart
The Indianapolis Symphony Orchestra stretches its creative muscles from its music to its outreach program. They're bringing people in to experience symphony through such programs as a happy hour concert with free drinks and appetizers, a peek behind the curtain, a side-by-side mentoring program for youth, and radio broadcasts.
(Thanks to Whitney Smith, Indy Star)
Country-bluegrass-mandolin artist ready to experiment
He's been performing for 40 years, but tonight's show marks only the second time Marty Stuart has gone solo. He'll be taking the stage in Davenport, Iowa at the River Music Experience. His own band, the Fabulous Superlatives, will have a night off while Stuart explores his music before an audience.
"I'm just at a place in my life where I need to get out and do four or five shows on my own, to just see what's going on in my mind. I've been so busy, so productive for the past few years, I just have to see for myself what's going on up there."
(Thanks to David Burke, Quad-City Times)
Veteran turns to playwrighting to understand Abu Ghraib
Iowa-native Joshua Casteel experienced a crisis of faith while serving as an interrogator at the Abu Ghraib prison. A jihadist prisoner challenged him that he wasn't following the precepts of his own Christian faith. Casteel listened.
He left the military and wrote "Returns," aÂ play exploring the difficulty a soldier has in returning to civilian life. It's an autobiographical play that asks questions about faith and military service. Casteel, now an advocate for peace, has performed scenes from his play for such people as Czech President Vaclav Havel, British playwright Harold Pinter and actor Jeremy Irons.
The play received a full run in Iowa this past weekend.
International Jazz Festival touches down in Moscow, Idaho
Jazz has never been a corporate property, but has always belonged to the grass-roots musicians. So it should raise no eyebrows that the Lionel Hampton International Jazz Festival is running in Idaho this week. It features four days of performances, workshops, lectures and competitions.
(Thanks to Dana Oland, The Idaho Statesman)
Jenn McKee saw this production on its opening night. I saw it on its closing night. By the end of the single weekend run, there were no actors struggling with speaking through their fake teeth and the prosthetics contributed to the overall humor of the piece.
It was also refreshing to see a show that completely eschews the naturalistic acting style. John Neville-Andrews directed his actors to fully indulge in the asides and to declaim to the audience. The actors moved in a purposely stilted fashion, striking poses in a manner that celebrated theater as it was written in the 1700s. It plays oddly to modern eyes accustomed to a theater indelibly stamped with Ibsen, Miller, and Stanislavsky, but in so doing, it remains remarkably true to the work's time and place.
One of the objectives of Art.Rox is the provide a greater and deeper context in which arts journalists work and understand the value of their work as it applies to markets and regions outside the big media metropolises. Though we try to aim below the horizon, Frontline, the excellent program offered by PBS, has created a six-part series examining the troubled state of American journalism that we feel compelled to recommend. The series is a superb 30,000-foot-view addressing American journalism's history, economics, philosophy and struggle to remain stable amid battles with executive power, market pressures and emerging technologies which threaten to undermine the ways in which people understand the world around them.
You can watch each of the six parts of the series here.
"FRONTLINE examines the political, cultural, legal, and economic forces challenging the news media today and how the press has reacted in turn. Through interviews with key figures in print, broadcast and electronic media over the past four decades -- and with unequaled, behind-the-scenes access to some of today's most important news organizations, FRONTLINE traces the recent history of American journalism, from the Nixon administration's attacks on the media to the post-Watergate popularity of the press, to the new challenges presented by the war on terror and other global forces now changing -- and challenging -- the role of the press in our society."
From Bridgette Redman:
Theater people talk a lot about how theater builds community and makes their home a better place to live. It's that sense of community that is felt viscerally when tragedy strikes.
I'd skipped over the front page of the newspaper this morning on my way to work to get to the arts section. So it wasn't until an e-mail arrived pleading for sets, costumes, and volunteers that I heard the news that was on the front cover.
Owosso is a town of 16,000 people. Its downtown has many cultural landmarks including a castle built by a famous novelist. But the community's heart is found in the spotlights of the Lebowsky Theater, a historic building where the Owosso Community Players draw huge crowds every year with their musicals. The building was erected in 1926 and Players purchased it in 1991, making them one of the few local groups to own their own performance space.
At least, that was true until fire ripped through it Wednesday, destroying the auditorium, the stage, their equipment, and all of the sets and costumes for "Beauty and the Beast", the musical that was to open next Friday.
It's difficult to describe the death of an arts space. No matter what happens with rebuilding or insurance, there is a loss that can't be replaced. All the hopes and dreams poured into the space, all the work, all the laughter can now be sought only in memory and ashes.
When I last made the hour drive out there it was in 2005 to see Motown's Martha Reeves perform in a Motown Revue alongside singers from the community. My father tells a story of his childhood how his first trip to a "big city" was to Owosso and what was then the movie theater. Each year, the Owosso Players have put on more and bigger musicals and shows, making themselves a source of pride to their entire community. Now they are homeless.
The Owosso Community Players plan to open their musical next week on schedule. They don't know where and they don't know how, they just know that they're not going to let tragedy stop them from doing what art does best: bring people together.
Welcome to art.rox, a blog about art in the American outback. This blog was created as a means for arts journalists and artists outside the major American urban areas to celebrate, discuss, critique, and simply share what they do.
My name is Joe Nickell; I'm the arts and entertainment reporter at the Missoulian newspaper in Missoula, Montana. As I write this, the third annual NEA Institute in Theater and Musical Theater is wrapping up in Los Angeles. I've been fortunate to be a part of this Institute; the energy, communion, and sharing of ideas that we've experienced in the past two weeks has been amazing. Life-changing, I would even hazard to say.
This blog is intended partly as a means for the fellows of this Institute to continue sharing ideas. But there are bigger hopes here: That this can ultimately grow to serve the larger community of journalists, artists, and institutions involved in the arts in America -- particularly those who reside in smaller cities and rural areas of the country.
This blog is currently co-hosted by John Stoehr, arts and culture reporter at the Savannah Morning News. He'll likely say hi soon enough.
Welcome. Say hi!
Art.Rox is a blog about art in the American outback. It was created as a means for arts journalists and artists outside the major American urban areas to celebrate, discuss, critique, and simply share what they do.
This blog is intended partly as a means for the Fellows of the USC Annenberg's 2007 NEA Arts Journalism Institute in Theater and Musical Theater to continue sharing ideas.
But there are bigger hopes here: That this can ultimately grow to serve the larger community of journalists, artists, and institutions involved in the arts in America -- particularly those who reside in smaller cities and rural areas of the country.
Art.Rox is co-hosted by Joe Nickell, John Stoehr, Bridgette Redman and Jennifer A. Smith.
John Stoehr is the arts and culture reporter for the Savannah Morning News in Savannah, Ga. He is a two-time Fellow of the Arts Journalism Institutes of the National Endowment for the Arts. He is also a book critic for the Atlanta Journal-Constitution and other publications.
Joe Nickell is the arts and entertainment reporter for the Missoulian newspaper in Missoula, Montana. Like John, he is a two-time Fellow of the NEA Arts Journalism Institutes. He is also co-host of Rox, an independent television series that was dubbed "the best TV show in America" by Wired Magazine and "the first television series broadcast in cyberspace" by Time. A former contributing editor at Res Magazine, Joe has written for publications including the New York Times, Salon.com, Wired, Outside, and Business 2.0.
Bridgette Redman is a freelance performing arts columnist and theater reviewer for the Lansing State Journal in Lansing, Michigan. She was a 2007 Fellow of the NEA Arts Journalism Institute in Theater and Musical Theater. She is also a textbook editor and writer for the American Hotel & Lodging Association Educational Institute; the publisher of Book Help Web; a category lead for the book, newspaper, and magazine section of Epinions.com; a ghost writer; a freelance magazine writer; and a drama instructor for K-3 at a local Montessori school.
Jennifer A. Smith lives in Madison, Wis., where she manages the state's arts and culture Web site, Portalwisconsin.org. She is also a freelance arts writer whose work appears regularly in Madison's alternative weekly, Isthmus, and other publications.Â She is a graduate of the University of Michigan-Ann Arbor and the University of Wisconsin-Madison and was a 2007 Fellow of the NEA/USC Arts Journalism Institute in Theater and Musical Theater.
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