Theatre News - Criticism: May 2009 Archives
It’s so tough to get new plays on the stage, especially in a small town like Charleston. Even tougher when they originate from Charleston. Fortunately, we have a courageous theater company that doesn’t wait for new work to trickle down from New York. The ensemble is called PURE Theatre and the new play is called Sheep’s Clothing by local playwright Spencer Deering. The occasion brought to mind Mike Daisey’s controversial one-man play about How Theater Failed America.
About a year ago, Mike Daisey staged a one-man show in New York called How Theater Failed America. The acclaimed monologuist made the case that regional theater sucks, because it aims for business more than art.
Regional theater typically obsesses over growth, Daisey claimed, focusing on building bigger buildings more than developing better actors. It caters to the wealthy, marketing itself like a luxury item. And it relies too much on importing actors from New York.
Daisey, who is a 2005 Spoleto Festival alum, wasn’t saying anything really new, except this: that the usual problems regional theaters cite as their main obstacles — such as competition from movies and television, drained government subsidies, strained philanthropic communities, and audiences that just don’t get it — are basically hokum.
None of that would matter, Daisey argued in his play, if the focus were on actors and playwriting, not business. In How Theater Failed America, Daisey calls for a return to the repertory model in which a dedicated group of actors hones its skills and creates new work. That means an acting troupe that’s smaller, leaner, and more aggressive artistically. If that sounds like a description of PURE Theatre, that’s because it is.
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Terry Teachout on the arts in New York City
Andrew Taylor on the business of arts & culture
rock culture approximately
Laura Collins-Hughes on arts, culture and coverage
Richard Kessler on arts education
Douglas McLennan's blog
Dalouge Smith advocates for the Arts
Art from the American Outback
For immediate release: the arts are marketable
No genre is the new genre
David Jays on theatre and dance
Paul Levy measures the Angles
Judith H. Dobrzynski on Culture
John Rockwell on the arts
Jan Herman - arts, media & culture with 'tude
Apollinaire Scherr talks about dance
Tobi Tobias on dance et al...
Howard Mandel's freelance Urban Improvisation
Focus on New Orleans. Jazz and Other Sounds
Doug Ramsey on Jazz and other matters...
Jeff Weinstein's Cultural Mixology
Martha Bayles on Film...
Fresh ideas on building arts communities
Greg Sandow performs a book-in-progress
Exploring Orchestras w/ Henry Fogel
Harvey Sachs on music, and various digressions
Bruce Brubaker on all things Piano
Kyle Gann on music after the fact
Greg Sandow on the future of Classical Music
Norman Lebrecht on Shifting Sound Worlds
Jerome Weeks on Books
Scott McLemee on books, ideas & trash-culture ephemera
Wendy Rosenfield: covering drama, onstage and off
Chloe Veltman on how culture will save the world
Public Art, Public Space
Regina Hackett takes her Art To Go
John Perreault's art diary
Lee Rosenbaum's Cultural Commentary
Tyler Green's modern & contemporary art blog