FlyOver: June 2009 Archives

Street art has an image problem. This is of course nothing new. The spirit of renegade vandalism is inherent to the medium, just ask any graffiti artist. Often an integral part of the street artist's palette- right alongside the can of spray paint and a stencil or two - is a concern for tweaking the status quo. Or to put it more bluntly, it helps to have a loose, freethinking state of mind to ponder: "How much can I get away with here?" It is a case of the freedom of artistic license bumping up against the boundaries of civic obedience and property rights laws. The more covert and riskier the work, (skirting the borders of the law especially) then the more street cred is bestowed on the entire undertaking if it's pulled off successfully. This is very important stuff for an art form that occurs outside of the system of art gallery and museum contexts.
Back on May 30th of 2009, Joseph Carnevale, a 22 year old
history major at NC State University, garnered more such urban acceptability
than he probably imagined that day. Earlier
that morning he had an idea for a street sculpture created from ubiquitous
orange and white traffic barrels (numerous around the NCSU campus right now due
to major street construction along Hillsborough Street bordering campus) and as
he put it to the News & Observer newspaper, "it kind of grew in my head, until it was
something I had to do." And do he definitely did. After pilfering a few barrels from a local
construction site, he sawed, snipped, and reassembled them into a startling,
larger than life visage of a 10' tall figure standing alongside the
construction zone and making a gesture with an outstretched 'arm' seen as
either (a) pointing traffic to the adjoining lane to avoid the construction zone or (b) extending a
thumb as if hitchhiking. The "Monster's" moment of streetscape glory was brief however as by
the next morning,
The story has extended beyond that initial Technician piece
and has been reported in the local
I see all of this as a healthy
dialogue for the city. It is well known
that
Related stories
http://www.newraleigh.com/articles/archive/barrel-monster-spotted-on-hillsborough-street/
http://www.technicianonline.com/features/barrel-monster-creates-a-stir-on-campus-1.1759449

Blogroll
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AJ Blogs
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Terry Teachout on the arts in New York City
Andrew Taylor on the business of arts & culture
rock culture approximately
Laura Collins-Hughes on arts, culture and coverage
Richard Kessler on arts education
Douglas McLennan's blog
Dalouge Smith advocates for the Arts
Art from the American Outback
For immediate release: the arts are marketable
No genre is the new genre
David Jays on theatre and dance
Paul Levy measures the Angles
Judith H. Dobrzynski on Culture
John Rockwell on the arts
Jan Herman - arts, media & culture with 'tude
dance
Apollinaire Scherr talks about dance
Tobi Tobias on dance et al...
jazz
Howard Mandel's freelance Urban Improvisation
Focus on New Orleans. Jazz and Other Sounds
Doug Ramsey on Jazz and other matters...
media
Jeff Weinstein's Cultural Mixology
Martha Bayles on Film...
classical music
Fresh ideas on building arts communities
Greg Sandow performs a book-in-progress
Exploring Orchestras w/ Henry Fogel
Harvey Sachs on music, and various digressions
Bruce Brubaker on all things Piano
Kyle Gann on music after the fact
Greg Sandow on the future of Classical Music
Norman Lebrecht on Shifting Sound Worlds
publishing
Jerome Weeks on Books
Scott McLemee on books, ideas & trash-culture ephemera
theatre
Wendy Rosenfield: covering drama, onstage and off
Chloe Veltman on how culture will save the world
visual
Public Art, Public Space
Regina Hackett takes her Art To Go
John Perreault's art diary
Lee Rosenbaum's Cultural Commentary
Tyler Green's modern & contemporary art blog

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