FlyOver: March 2008 Archives
I had to laugh out loud when, after a brilliant "Daily Show" segment on Sen. Barack Obama's speech on race, Jon Stewart dropped the yuks for a moment and said (to paraphrase): "And so it is that a prominent politician spoke to Americans about race as if they were adults." Stewart hit the nail on the head. Although I haven't had a chance to watch Obama's speech in its entirety yet, from what I have seen, it was an honest, direct and nuanced attempt to grapple with a complex problem.
All of this leads me to something I had meant to blog about a couple of weeks ago, when I saw a preview performance of Madison Repertory Theatre's current show, Thomas Gibbons' "Permanent Collection." The show blends art-world and racial politics as Sterling North, a black corporate exec, takes on the directorship of the Morris Foundation, which houses a priceless collection of Impressionist and Post-Impressionist art, as well as some little-displayed African art. North's desire to incorporate more of the African pieces into the displays rankles the museum's white director of education, and controversy ensues.
After the preview-night show, I felt invigorated in way that, frankly, I rarely do when leaving the theater. Sure, there are good plays to be seen in Madison, but this seemed to me an almost perfect blend of entertainment with meaty ideas. The production was fiery, at times funny and offered characters with real moral complexity. It's a play on race and culture that treats the audience as if they were adults, capable of seeing the merits of each character's position from shifting angles.
I was previously unfamiliar with this play, and I'm glad Madison Rep chose to make it a part of its season. Madison is a changing city but its older generations - you know, the people who are more likely to go to professional theater - are largely white. We like to think of ourselves as an enlightened, progressive place, and to a good extent I think Madison is, but anyone who doesn't believe that they have blind spots regarding race is probably fooling themselves. In that way, I thought Madison's Rep choice of this play was especially well suited to its community. Being entertained and being made to think - in equal measure - is, for me at least, a perfect night at the theater. And if art, as well as political speeches, can move forward our national dialogue on race, I think this is the sort of play that can accomplish that.
For some local reviews of Madison Repertory Theatre's production of "Permanent Collection," see Isthmus, the Capital Times and the Wisconsin State Journal. The show runs through March 30 at the Overture Center for the Arts.
Tomorrow, March 5, is Arts Day here in Wisconsin. It's an annual event organized by Arts Wisconsin, a statewide arts advocacy group. Although it works closely with our state Arts Board, it is an independent organization. Part of the goal of Arts Day is to get Wisconsin's artists, arts administrators, educators, etc. together with state legislators. Legislators are unlikely to fund what they don't even know about, and they need to know about what their constituents are doing. Arts Day is spearheaded by the vocal, passionate and determined Anne Katz, and I've asked Anne to do a guest post one of these days to talk about the role of arts advocacy from her perspective.
Arts advocates have had some recent successes here in Wisconsin, one of which is the passage of tax breaks for films (and other forms of entertainment) made in Wisconsin. While the knee-jerk liberal in me typically views any sort of corporate tax break with suspicion, I think this is great news. We've lagged behind nearby states in this regard, losing potential business to them. The first major film to be shot here, after the tax incentives took effect on Jan. 1, is "Public Enemies," based on Bryan Burrough's book about John Dillinger and starring Johnny Depp, Marion Cotillard (whee!) and Christian Bale. UW-Madison graduate Michael Mann will direct.
According to the AP, the film company plans to spend about $20 million in Wisconsin and will earn about $3.9 million in tax credits.
While Wisconsin's Arts Day will no doubt touch upon these sorts of large-scale economic issues, the overall vibe is much more local and grassroots, and the arguments put forth in favor of the arts are certainly not all based on dollars. Rather, it's a time for anyone who cares about the arts and arts funding to have a say based on what is most important to them -- and it's a challenge to all of us to try to become arts advocates in some form throughout the year, not just one day in March.
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Terry Teachout on the arts in New York City
Andrew Taylor on the business of arts & culture
rock culture approximately
Laura Collins-Hughes on arts, culture and coverage
Richard Kessler on arts education
Douglas McLennan's blog
Dalouge Smith advocates for the Arts
Art from the American Outback
For immediate release: the arts are marketable
No genre is the new genre
David Jays on theatre and dance
Paul Levy measures the Angles
Judith H. Dobrzynski on Culture
John Rockwell on the arts
Jan Herman - arts, media & culture with 'tude
Apollinaire Scherr talks about dance
Tobi Tobias on dance et al...
Howard Mandel's freelance Urban Improvisation
Focus on New Orleans. Jazz and Other Sounds
Doug Ramsey on Jazz and other matters...
Jeff Weinstein's Cultural Mixology
Martha Bayles on Film...
Fresh ideas on building arts communities
Greg Sandow performs a book-in-progress
Exploring Orchestras w/ Henry Fogel
Harvey Sachs on music, and various digressions
Bruce Brubaker on all things Piano
Kyle Gann on music after the fact
Greg Sandow on the future of Classical Music
Norman Lebrecht on Shifting Sound Worlds
Jerome Weeks on Books
Scott McLemee on books, ideas & trash-culture ephemera
Wendy Rosenfield: covering drama, onstage and off
Chloe Veltman on how culture will save the world
Public Art, Public Space
Regina Hackett takes her Art To Go
John Perreault's art diary
Lee Rosenbaum's Cultural Commentary
Tyler Green's modern & contemporary art blog