Arts News: July 2007 Archives
I live in a community that is in the process of transforming itself with several visions competing with each other for what the future will look like.
Lansing had always prided its stability on its three-pronged economy. We had the state government, the university, and Oldsmobile. When one suffered, another usually thrived, keeping things in balance until adjustments could be made. Well, Oldsmobile is now gone and there is little of the auto industry left here.
So the question is asked--as it is in many places around the country--what will we look like now?
Some that I've talked to over the past few months want the arts to become a central pillar of the economy. There is a dream that if the many existing organizations were to collaborate and obtain civic support, the arts could start generating the money lost by the auto industry.
It's a tough argument.
On one hand, there is some pretty hard data that the arts do generate money. There is also no lack for artistically talented individuals. On the other hand, there are very few artistic venues that could be called commercially successful. The majority of art organizations survive because they have passionate individuals working for them that are willing to sacrifice to create art. They labor with little expectation of a financial return.
There has also been uneasy partnerships between businesses and arts organizations. I've read John's entries about the Savannah Symphony Orchestra with increasing uneasiness. It feels like I'm looking into a mirror and seeing one of our local organizations. An organization that was once considered a cornerstone of the local arts community has been struggling for years in large part because it has a board with influential members who do not support its artistic vision. It is a board that is filled with people who have been successful in commercial undertakings but who have not been active members of the arts community. Rather than joining in the struggle to find solutions to the challenges the organization faces, they issue threats about closing the organization and demand that people are cut from staff--even those people who are bringing in grant monies that far surpass their salaries.
While I love the vision of a community that considers art one of its prime characteristics, I have to question what a commercialization would do to the life of art in the community. Would it continue to be art? Or would it become just another form of entertainment?
Business must value its bottom line. Art must value struggle.
For myself, I'm going to pursue more reading on the concept of the gift economy versus the market economy and how those economies can happily marry each other.
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Terry Teachout on the arts in New York City
Andrew Taylor on the business of arts & culture
rock culture approximately
Laura Collins-Hughes on arts, culture and coverage
Richard Kessler on arts education
Douglas McLennan's blog
Dalouge Smith advocates for the Arts
Art from the American Outback
For immediate release: the arts are marketable
No genre is the new genre
David Jays on theatre and dance
Paul Levy measures the Angles
Judith H. Dobrzynski on Culture
John Rockwell on the arts
Jan Herman - arts, media & culture with 'tude
Apollinaire Scherr talks about dance
Tobi Tobias on dance et al...
Howard Mandel's freelance Urban Improvisation
Focus on New Orleans. Jazz and Other Sounds
Doug Ramsey on Jazz and other matters...
Jeff Weinstein's Cultural Mixology
Martha Bayles on Film...
Fresh ideas on building arts communities
Greg Sandow performs a book-in-progress
Exploring Orchestras w/ Henry Fogel
Harvey Sachs on music, and various digressions
Bruce Brubaker on all things Piano
Kyle Gann on music after the fact
Greg Sandow on the future of Classical Music
Norman Lebrecht on Shifting Sound Worlds
Jerome Weeks on Books
Scott McLemee on books, ideas & trash-culture ephemera
Wendy Rosenfield: covering drama, onstage and off
Chloe Veltman on how culture will save the world
Public Art, Public Space
Regina Hackett takes her Art To Go
John Perreault's art diary
Lee Rosenbaum's Cultural Commentary
Tyler Green's modern & contemporary art blog