Raising the Tide of Value

Editor’s note: Over the next two weeks, we’ll feature posts around the final convening of our Chief Executive Program, The Summit at Sundance. We invite you to participate in an online discussion of four major issues facing the cultural field. In this post, Dallas Shelby introduces the last of the problem statements.

Why do the arts matter? Why does creativity matter? Why do you matter? What value do we create? We should all be able to answer these questions, and the easier it we can make it to do so the better off we will be.  We may be comfortable making the case for the value our organizations create, but the public’s perception of the cultural field is the tide on which that value rises and falls.


Problem to solve:  Maximize the cultural field’s value in the eyes of the public/society.

If we think of public perception as the ocean upon which our organizational value floats (see the illustration above), then as the perceived value of the field increases, so does our organizational value. It is the rising tide that lifts all boats. Global Warming aside, how do you raise the ocean level?

Public perception is a tricky thing but affecting it requires effort in at least one of two paths: talking about your value and showing your value (i.e., being valuable). The latter, while certainly not easy, is relatively straightforward. Being valuable as a field comes from the individual and collective actions taken by organizations and leaders. It’s the sum of all value. In terms of the illustration above, think of the water displacement from the weight of the boats raising the ocean level.

Measuring value.

Talking about value is a bit more difficult, particularly when talking about the value derived from the entire field. It stands to reason, though, that it should start with some understanding of what that value is. We’ve all heard and read the cases for the instrumental and the intrinsic arguments for the value we create. We live in a world obsessed with numbers. Finding meaningful (pun not intended) metrics of the field’s value can help. This too is well-worn territory and the answers are not easy.

Categories help.

Dan and Chip Heath, in their book “Made to Stick,” talk about how to craft stories that stick. Their first tenant is to keep it simple. The problem, of course, is that the value we deliver is often complex and not easy to rattle off in a simple statement. In an effort to simplify our messages we rely on existing schemas or categories. They help bridge the gaps of understanding or even empathy. I might not value what your organization does but I might value “the Arts.”

Categories limit.

If you look at the illustration again you will notice the dotted line of demarcation separating arts and culture from creativity. Think about your stakeholders, your community – do they know when they are crossing this line? Do they care? While it might be a handy shortcut to use categories to help talk about our value, they can backfire. (I might actually care about what you do but do not particularly care about “the Arts” or, worse yet, I might think “the Arts” are too stuffy.)

Regardless of the course – action or words, cultural field or creativity – if we are looking to truly create a significant wave of value we must work together. How do you define the value of the field… not just your individual organization’s value? What can you measure? What can you share? How can we work to raise the tide?

 

 

Comments

  1. EA Robb says

    This is the holy grail of it all as per funding and policy matters.
    When beating the drums for time, resources, and $$$, I try to speak to “pursuit of happiness” as a riveting phrase in America’s founding document that should not be overlooked.
    Arts as a civil right is one way to frame the value propostion, we need about five solid arguments that can take care of all pov’s and what is great about the arts is, those arguments are all there to be framed and articulated.
    In this American participatory democracy spin on organizing humanity into political structures, we must honor the concern of happiness as a key component to the model.
    Thereby embrace education; arts, culture, and heritage; and the great outdoors as vital places in the public sphere that need attention as these elements are great seedbeds for happiness making and I guess thereby help spawn: big GDP, the rule of law and innovation.
    I think the public would, could and does get this aspect of the happy and mysterious and provoking news the arts, culture and heritage fields release each day.
    Oddly in the 21st c, much of the “field” still operates on the arts value = arts for arts sake (at best intrinsic value and at worst elitist – “arts for a few” is now pretty much seen as an antiquated/taboo value).
    Arts for arts sake valuing may not be the case for decision makers and others in “power” but for the bulk of the arts field, it is small businesses and individuals and many do hold to this value propositon.
    Creative placemaking, asset mapping, capitalization models, creative industries, the ripple effect, economic impact etc etc, many of these ideas and strategies for an arts value agenda, are misunderstood or held as rationalizing or justifying value for the arts.
    Until we have more of the field comfortable being under a very very big, noisy, arts culture and heritage tent, we are not in a strong place to communicate to the public an arts value message that raises awareness about relevance and impact and happiness.

  2. Dallas Shelby says

    Thanks for the thoughtful comments.

    EA Robb, i think you’re right that the concept of “art is for a few” is becoming increasingly out of step with the public. The result may very well be that those who ignore this shift will become increasingly marginalized. The rest of us will be left to lead the way and mark a trail for others to follow. The bottom line is for whom are we creating value?

Trackbacks

  1. […] Editor’s note:  As part of our online discussion around The Summit at Sundance, we have invited participants in The Chief Executive Program to frame each of our problems to solve. Here, Basma El Husseiny takes on the problem: Maximize the cultural field’s value in the eyes of the public/society. […]

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