Don't Get Mad, Get Organized
Maybe you thought the muted furor surrounding the Tony Awards' decision to eject critics from its voters' ranks died away. After all, it's not like it was such an important decision anyway, right? And it's not like it affected that many people, right? Well wrong. It affects all of you, and by you, I don't just mean those of you who clicked through to this blog. I mean you as consumers of American culture.
Today, American Theatre Critics Association Chairman Christopher Rawson sent a letter to the Broadway League and American Theatre Wing alerting them that we will not go quietly (though we're pretty polite, considering). Our ranks might be thinner, but if there's one thing critics know how to do well, it's bitch loudly about something we don't like. I'm a member of ATCA, and if you're a critic, you ought to be too. There's strength in numbers, and--being a bookish lot, who've spat out an awful lot of bully sand lately--we could really use those numbers to help the cause.
If you're not a critic, you know you read our reviews, and there might even be a critic or two whose opinion you respect. Send your own damn letter here and here and tell these chumps that a bunch of directors (or producers, or whatever you're not) voting for their friends does not a credible award make. After all, when your mommy told you you were the best one onstage, it was nice, but you didn't really believe her, did you? Did you?
As goes Broadway, so goes the nation, at least within a few years, when national tours begin hitting the road. Without critics slipping through the Tonys' highly entrenched voter ranks, plenty of editorials on the subject assert that the plays and musicals you'd get out here in the hinterlands would be an endless parade of Wickeds, and Legally Blondes--which they are anyway, and p.s., I liked Legally Blonde--but with no hope of a Rent or Spring Awakening surging forward to help electrify regional audiences and expand our dramatic expectations.
Listen, don't do it for me, I only get to New York once or twice a year anyway. Do it for the benefit of our theater. Because that's what's really hurt by this decision.