Friday Mack Attack, 1/9/09

This week I'm macking on: the brave, bold participants of Project Everyone's a Critic. These students will all be attending the Region II National Critics Institute of the Kennedy Center American College Theater Festival--and here, a monent of respect is due, because setting their sights on arts journalism at this particular historical/economic/technological/journalistic moment proves just how brave and bold they are. We may have more students signing up at the last minute, so stay tuned for the full cast credits. I will begin posting their writing on Wednesday, January 14 and hope to see you there.

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Jessica Hinds-Bond is a second-year theatre M.A. student at Villanova University. While completing her undergraduate degree in theatre design at Auburn University in Alabama, she discovered a love for dramaturgy and theater research. She is the dramaturg for Cabaret, Villanova's final production of the 2008-2009 season. She has been a member of the Philadelphia Young Playwrights Literary Committee for the past three years, reading and responding to plays submitted by students to the annual Playwriting Festival.


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Devin Dippold graduated with honors from McKendree College, where he directed, wrote, and starred in Chosen Reject, a one man show based on the writings of Kurt Cobain. He is currently a second year student in the M.A. program at Villanova University, where he recently dramaturged their production of Le Dindon by Georges Feydeau. He also stage managed last season's production of The Illusion. Acting credits include Gus in The Dumb Waiter, Tartuffe in Tartuffe: Born Again, and Ed in Defying Gravity. In his spare time, Devin plays guitar and is a martial arts instructor. 


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Shawn Arnold loves theater and love to analyze it. He is a Central Pennsylvania resident from Philipsburg. Shawn is currently attending Clarion University of Pennsylvania with a double major in both the BFA acting and secondary education social studies programs. In addition to his interest in theater, Shawn is also a lover of history and all things about the past. Shawn has also taken an active step to foster theater in his home town. He has been heavily involved in the creation of both a community and youth theater program in the area. 


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Peter Starr Northrop is a Memphis-born, Pennsylvania-based writer with poor fashion sense and an awkward sense of humor to match. He is currently a Sophomore at Elizabethtown College, where he is slowly dragging out a double-major in English and theater. There, he divides his time between working as a writer and editor for the school newspaper--The Etownian, pretending to run the newly founded sketch comedy group Sketch-E's writing department, and attending the occasional class. Peter's theater background is limited to only three years spent in a high-school improv troupe, having minor roles in a few college mainstage and one-act productions, and writing/performing for his aforementioned sketch comedy group. His other varying hobbies include cooking, hiking and most of all, discovering all sorts of things about the crazy world in which we live.


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Justin Fitzpatrick is a freshman theatre major at Albright College. He avidly participates in theater in many ways such as performing, directing, choreographing, and vocal coaching. His passion lies with musicals. Past shows on which he has worked include: On Broadway: A Scene Study (Link Larkin), Footloose (Garvin), Oklahoma! (Will Parker), Bye, Bye Birdie (Co-Director), The Secret Garden (Lt. Wright), The Sound of Music (Rolf), Seussical: The Musical (Horton the Elephant/Vocal Coach), The Pirates of Penzance (Co-Director/Vocal Coach/Choreographer), High School Musical (Mongo), You Are Here* (Jimmie), Love's Labour's Lost (Forester/Mercade).   Recently, Justin realized that he has a natural habit of critiquing every type of performance he sees, and has decided that being a part of the National Critics Institute at the KCACTF would be a beneficial experience.


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Tammy Bateman is a junior at Elizabethtown College. A major in both Business Administration and Theatre Performance, Tammy enjoys all aspects of the theater world. She has been performing for the last seven years and served as a critic for the Greater Philadelphia Cappies program at Ridley High School. At Elizabethtown she currently serves as Vice President for the drama club, Sock and Buskin, and manages the Tempest Theatre Box Office. In her spare time she can be seen performing with the college's all-female a capella group, Melica. She is very excited to be a part of the National Critics Institute and competing as an Irene Ryan Nominee for Region II at this year's festival.  

This week I'm hating on: The fact that not a month after Dance Dance Revolution closed, the Ohio Theatre--which housed it--is closing too. Not only that, as I'm getting ready to work on a piece about new play development, one of the plays I'm covering, Christina Ham's After Adam, was cut from Luna Stage's roster because of the theater's "survival" issues. Though Broadway's darkened doors get all the major press, I'm guessing that in the end, they'll be okay. The real theatrical victims of this economic iceberg are houses willing to take chances on exciting, experimental and ultimately galvanizing new work, because they're so much more vulnerable and once they're gone, their founder's often very particular aesthetic goes with them. 

The good news? Hey, how about this: Even though these days newspapers are less about "all the news that's fit to print" and more about "whatever print still fits," the Inquirer is mulling over adding three new theaters to our reviewing circuit. Proof that at a time when theater critics are an endangered species, we're needed more than ever.
January 9, 2009 8:41 AM |
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