Twittering from the Fringe
Just a reminder that I'll be Tweeting from the Philadelphia Live Arts Fest for the next two weeks. Last night's events included Israel Horovitz's The Widow's Blind Date--review to appear in tomorrow's Inquirer--and a battle of the official/unofficial festival bars.
Official bar: It's low-key, I'll give them that. Video animations by Lars Jan and ambient music by James Sugg (and Turkish food, apparently, though it was gone by 1 a.m.). Unofficial bar: Last night, a cabaret hosted by local arts impresario Scott Johnston, and featuring the band Black Landlord (picture, if you can, Run-DMC with a horn section and hipster backing band), Pig Iron's phenomenally talented Dito van Reigersberg as his alter ego Martha Graham Cracker, and the gals from the Peek-a-Boo Revue (winners of this year's Miss Exotic World "Best Troupe" category) shaking their artsy can-cans. Winner: the unofficial event, hands down, which is kind of fitting considering this whole thing started out as a fringe festival anyway.
The link to my Twitter page was supposed to be in today's paper, but wasn't. Go to www.twitter.com/wendyrosenfield. If you're not currently receiving Tweets from anyone, sign up. It's so easy you'll be embarrassed you waited so long.
Don't worry, I won't tell anyone.
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Focus on New Orleans. Jazz and Other Sounds
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Harvey Sachs on music, and various digressions
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Kyle Gann on music after the fact
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Greg Sandow on the future of Classical Music
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Tyler Green's modern & contemporary art blog
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