The Lighter Side of... Hitler!

Well, not Hitler exactly, but the Chapman brothers' defacement of his artwork

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Those brothers grim, Jake and Dinos, bought a bunch of the Fuhrer's watercolors a while back, causing shivers to run down the spines of horrified citizens everywhere. Turns out they had nothing to fear.

The men's work displays an obsession with organized death--they've had their way with Goya, and created a sculpture called Hell--detailed with other work in the video below--which featured dioramas filled with miniature representations of many, many imaginative torments. Their recent, and similarly-themed (though much-differently executed) show Little Death Machines was dismissively reviewed by Ken Johnson in today's New York Times as a one-note gimmick, but if they're only capable of one note, I'll eagerly listen. At least until I can't stand it anymore. 

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Unlike Tom Sachs' ill-conceived consumerism/Holocaust debacle of a few years back (He just missed the green revolution by thismuch. Could've been a visionary with that rationalization!), the Chapmans apply meticulous method to their love affair with madness. 

The Hitler doodles add another note to their oeuvre anyway, one of post-Holocaust glee. The Chapmans don't just dance on his grave, they hold a rave on it. The chemical sunsets and floating hearts surrounding Hitler's pedestrian architectural facades are ominous, but only after you've had a chance to laugh out loud at them. By destroying the watercolors' value as Fuhrer-created art and subverting them into Chapman-based art, the boys have triumphed over evil at least this once. 

Why should Banksy get all the ironic graffitti love? Here's to vandalism with a purpose.

 
May 30, 2008 1:41 PM | | Comments (1)

1 Comments

Ah the Fuhrer and his talents......

More interesting observations may be given by a psychiatrist. It's been long known that the genes for artistic talent and insanity lie on the same gentic branch.

As we dance gleefully on Herr Schickelgruber's grave, we should at least give passing thought to his discourse. For asylums, even those 'Under the watch of the hourglass', serve a purpose.

Those who are in disagreement should remember, that his victims are unavailable for comment.

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