Pulitzer Prize Lifts the "CultureGrrl Exclusion Rule"

PulBd.jpg
The Pulitzer Board: Adminstrator Sig Gissler, front row, third from right

Devoted art-lings, you may remember that when I rashly entered CultureGrrl in the Pulitzer Prize competition for work done in 2008, I got tossed out at "hello." For the first time this year, blogs were considered as potentially Pulitzer-worthy, so I thought I'd give it a shot.

But when I entered my series that exposed the stealth deaccessions at the National Academy and reported on the subsequent fallout (which ultimately did win me a Best Blog award from the Newswomen's Club of New York), I was felled by this eligibility requirement:

Sites and publications are not eligible if their content consists primarily of commentary on news events that have been covered by another organization, of if they simply aggregate news coverage done by others.
Sig Gissler, the administrator of the Pulitzers, sent me a note explaining that I was disqualified because "the ArtsJournal site is largely devoted to aggregating news produced by other entities and to commentary and reviews in various forms."

Not true, I argued, because ArtsJournal has a robust blogging component with original content (including mine). The only concession I got was the unorthodox refund of my application fee.

But now comes the payoff in today's press release from Gissler:

A year ago, the [Pulitzer] Board broadened the competition to include many United States news outlets that publish only on the Internet at least weekly, but it required that all entered material---whether online or in print---had to come from entities "primarily dedicated to original news reporting and coverage of ongoing events."

The Pulitzer Board decided to eliminate that entry requirement at its November meeting at Columbia University.

The requirement sometimes excluded possibly promising entries---notably by online columnists, critics and bloggers [emphasis added] because of the nature of their Web affiliation, according to Sig Gissler, administrator of the Prizes.

"The revised rule will provide more flexibility as we focus on the merit of an entry rather than the mission of the Web site where it appeared," Gissler said.

So the pernicious (and unfairly applied) rule that kept me out of contention (not that I would have won) has been overthrown. Can I get a do-over?

I doubt it. So now I have to think whether any of my cultural punditry this year might rise to Pulitzer level. My most persistent campaign of 2009 was my quixotic tilting at the MoMA Monster, but all I have to show for that (and I can't even take credit) is a token 200-foot shortening of the overreaching Nouvel tower next to a museum that purports to be concerned with good urban design but seems to feel compelled to get involved in facilitating construction of incongruously tall buildings on its block every time it feels the need to expand its own galleries.

Wait a minute! Can I get a Pulitzer for my successful effort to change the rules for the Pulitzer?
December 2, 2009 3:43 PM | |

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CULTUREGRRL (Lee Rosenbaum) is the artworld's award-winning "best blog."

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LEE ROSENBAUM
I'm a veteran cultural journalist who writes frequently for the Wall Street Journal's "Leisure & Arts" page. I'm a regular cultural contributor on New York Public Radio (WNYC). I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, and on arts blogging at American University.

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MY BOOK
The Complete Guide to Collecting Art (Knopf)

IN THE MAINSTREAM MEDIA
NY TIMES OP-EDS:
For Sale: Our Permanent Collection(museum deaccessions)
Fashion Victim (Chanel at the Met)
Destroying the Museum to Save It (Barnes Foundation)
Reassembling Sundered Antiquities (Parthenon marbles)

WALL STREET JOURNAL:
Landesman Produces Controversy
New Modern Wing at Art Institute of Chicago
Michael Conforti Profile
Making Sales Look Stronger
Lee Krasner's "Little Image "Paintings
Ando-Designed Stone Hill Center for Conservation and Clark Exhibitions
Los Angeles' New Broad Museum of Contemporary Art
Philadelphia's New Perelman Building
The Walton Effect: Art World Is Roiled by Wal-Mart Heiress

Tricks of the Auction Trade

The Seattle Art Museum: A Work in Progress

Upside Down and Backward, Yet Tame (Boston ICA)
Edith Wharton's Library Is Now an Open Book
Extreme Makeover: Smithsonian Edition (American Art and Portrait Gallery renovation)
This Museum's Expansion is Simply Effective (Minneapolis Institute)
Truth in Booty: Coming--and Staying--Clean (antiquities controversies)
A Betrayal of Trust (NY Public Library's art sales)
The Lost Museum (MoMA's art sales)
Endangered Species (single-collector jewel-box museums)
Money in Motion (the Guggenheim's finances)
The Fine Art of Genocide? (appraisals of Hitler's art)

LA TIMES OP-EDS:
Make Art Loans, Not War
Museums Can't Compete (public collecting endangered)

PHILADELPHIA INQUIRER
Her Art Came First: Anne d'Harnoncourt's Labor of Love

ART IN AMERICA:
Refreshing the Smithsonian (the renovated SAAM and NPG)
The Atrium That Ate the Morgan (Renzo Piano's addition)
Hot Pots and Potshots (controversies over museum antiquities)
Musings on Museums (book review of "Whose Muse?")

NATIONAL PUBLIC RADIO:
Criticism of AAM's Cultural Diplomacy Initiative

WQXR, NEW YORK CLASSICAL RADIO
Modernist Abstraction Exhibitions in NYC

NEW YORK PUBLIC RADIO:
Musical Diplomacy on "Soundcheck Smackdown"
Vermeer's "Milkmaid" at the Met
Art in the Obama White House
Museum of Arts and Design Opens
New Met Director, Brian Lehrer Show
Tom Campbell Named Met Director
Whitney Museum's Expansion
Fake Coptic Art at Brooklyn Museum
Spring '08 Art Auctions
Should Veterans or Newcomers Lead Arts Organizations?
Murakami at Brooklyn Museum
Whitney Biennial
Guggenheim Director Steps Down
Philippe de Montebello's Retirement
Fall '07 Art Auctions
Metropolitan Museum's "Age of Rembrandt" Show
Commentary on the Art Market
Tour of Sculpture Gardens, with Slideshow
Audio Commentary on the Met's New Greek and Roman Galleries
Glenn Lowry's Unorthodox Compensation Package
Commentary on Fall '07 Art Market

PHILADELPHIA PUBLIC RADIO:
Philadelphia Museum's "Gross Clinic" Deaccessions
Museums' Purchase and Sale of Eakins' Works (about one-third of the way into the program)
Pennsylvania Academy of the Fine Arts' sale of Eakins' "The Cello Player"

BBC-TV:
Impressionist/Modern Auction at Sotheby's

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About this Entry

This page contains a single entry by CultureGrrl published on December 2, 2009 3:43 PM.

Shoot the Photo Editor: NY Times Gilds the Velázquez CORRECTED was the previous entry in this blog.

Last Chance to See the Barnes Intact: Some Galleries Are Closing UPDATED is the next entry in this blog.

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