Blog Slogger: Pulitzer Prize for Online Content (ArtsJournal excluded)

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I'll admit it was a low-percentage play.

When I told you I was applying for an award that I wasn't going to get, I wasn't kidding:

It was the Pulitzer Prize.

I decided to take a flyer because, for the first time in its history, the Pulitzer opened its doors this year to mere bloggers. That's right, fellow pajama journalists, you too might have won the gold (above), had you applied by Feb. 1. Better luck next year.

Be forewarned, though, that there are a few sticky technicalities before you get inside that open door. The New Eligibility Rules state:

Eligibility was expanded to encompass online sites that regularly engage in original reporting---using such techniques as interviewing, going out to observe things, reviewing public records, taking photos and videos---and publish the journalistic results of those efforts. Sites and publications are not eligible if their content consists primarily of commentary on news events that have been covered by another organization, of if they simply aggregate news coverage done by others.
Gee, I thought, ArtsJournal Blogs meet these criteria! AJ aggregates on the left side, but original reporting and commentary by distinguished cultural journalists and critics happen all day (and in my and Terry Teachout's cases, all night) on the right side of the homepage.

Wrong.

In an e-mail today from Sig Gissler, the administrator of the Pulitzers, I was informed:

We do not find the requirements to have been met. The ArtsJournal site is largely devoted to aggregating news produced by other entities and to commentary and reviews in various forms.
I'm not sure what's wrong with commentary and reviews, since the Pulitzers have categories for Explanatory Reporting, Criticism and Commentary. As for "aggregating," do they plan to exclude the Huffington Post because it, too, provides abundant links to mainstream news sources, along with original content? They're trying to get with the new-media 21st century, but I'm not sure they're there yet.

No matter. Although I never really expected to win, I lost them at "hello." Bigwig Sig sympathetically confided that "other online entries are also being rejected, usually because the sites lack primary devotion to original reporting." It was not just me. Now I feel much better.

If misery loves company, I'll huddle with another sore loser, Colbert (and I think there are a few CultureGrrl readers who believe I should definitely have entered the Westminster Dog Show):


February 12, 2009 9:47 PM | |

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CULTUREGRRL (Lee Rosenbaum) is the artworld's award-winning "best blog."

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CULTUREGRRL SPEAKS on museum issues and ethics, arts journalism.
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.

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CONTACT ME
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Archives: 2899 entries and counting

Me Elsewhere

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MY BOOK
The Complete Guide to Collecting Art (Knopf)

MAINSTREAM MEDIA

NY TIMES ARTS & LEISURE
Two Painters: So Alike, So Different (Caravaggio/Hals)

NY TIMES OP-EDS:
For Sale: Our Permanent Collection (museum deaccessions)
Fashion Victim (Chanel at the Met)
Destroying the Museum to Save It (Barnes Foundation)
Reassembling Sundered Antiquities (Parthenon marbles)

WALL STREET JOURNAL:
American Indian Installations
Morgan Library Renovation
Virginia Museum of Fine Arts' Expansion (designed by Rick Mather)
Crisis in Art Bibliography (Getty and BHA)
Profile of the Met's Tom Campbell
Elevating American Indian Art (Nelson-Atkins)
Landesman Produces Controversy
New Modern Wing at Art Institute of Chicago
Michael Conforti Profile
Making Sales Look Stronger
Lee Krasner's "Little Image "Paintings
Ando-Designed Stone Hill Center for Conservation and Clark Exhibitions
Los Angeles' New Broad Museum of Contemporary Art
Philadelphia's New Perelman Building
The Walton Effect: Art World Is Roiled by Wal-Mart Heiress

Tricks of the Auction Trade

The Seattle Art Museum: A Work in Progress

Upside Down and Backward, Yet Tame (Boston ICA)
Edith Wharton's Library Is Now an Open Book
Extreme Makeover: Smithsonian Edition (American Art and Portrait Gallery renovation)
This Museum's Expansion is Simply Effective (Minneapolis Institute)
Truth in Booty: Coming--and Staying--Clean (antiquities controversies)
A Betrayal of Trust (NY Public Library's art sales)
The Lost Museum (MoMA's art sales)
Endangered Species (single-collector jewel-box museums)
Money in Motion (the Guggenheim's finances)
The Fine Art of Genocide? (appraisals of Hitler's art)
National Museum of the American Indian

LA TIMES OP-EDS:
Make Art Loans, Not War
Museums Can't Compete (public collecting endangered)

HUFFINGTON POST:
My columns for HuffPost Arts

PHILADELPHIA INQUIRER
Her Art Came First: Anne d'Harnoncourt's Labor of Love

ART IN AMERICA:
[Note: The AiA links, alas, are no longer active.]
Refreshing the Smithsonian (the renovated SAAM and NPG)
The Atrium That Ate the Morgan (Renzo Piano's addition)
Hot Pots and Potshots (controversies over museum antiquities)
Musings on Museums (book review of "Whose Muse?")

NPR:
Crystal Bridges controversies
Crystal Bridges Museum's $800 Million (from American Public Media)
Smithsonian's "Hide/Seek" Controversy
Sotheby's Polaroid auction (at 1:20)
AAM's Cultural Diplomacy Initiative

WQXR, NEW YORK CLASSICAL RADIO
Rising Ticket Prices
New Museum's Dakis Joannou exhibition
Modernist Abstraction Exhibitions in NYC

NEW YORK PUBLIC RADIO:
NY State's New Deaccessioning Rules
American Folk Art Museum sells building to MoMA
Art Deaccessioning: Right or Wrong?
Musical Diplomacy on "Soundcheck Smackdown"
Vermeer's "Milkmaid" at the Met
Art in the Obama White House
Museum of Arts and Design Opens
New Met Director, Brian Lehrer Show
Tom Campbell Named Met Director
Whitney Museum's Expansion
Fake Coptic Art at Brooklyn Museum
Spring '08 Art Auctions
Should Veterans or Newcomers Lead Arts Organizations?
Murakami at Brooklyn Museum
Whitney Biennial
Guggenheim Director Steps Down
Philippe de Montebello's Retirement
Fall '07 Art Auctions
Metropolitan Museum's "Age of Rembrandt" Show
Commentary on the Art Market
Tour of Sculpture Gardens, with Slideshow
Audio Commentary on the Met's New Greek and Roman Galleries
Glenn Lowry's Unorthodox Compensation Package
Commentary on Fall '07 Art Market

PHILADELPHIA PUBLIC RADIO:
Philadelphia Museum's "Gross Clinic" Deaccessions
Museums' Purchase and Sale of Eakins' Works (about one-third of the way into the program)
Pennsylvania Academy of the Fine Arts' sale of Eakins' "The Cello Player"

SOUTHERN CALIFORNIA PUBLIC RADIO
Getty Museum's antiquities scandals (at 22:38)
Getty Trust's New President, James Cuno (at 12:10)
Getty and LA MOCA Directorship Controversies (at 44:30)
Reminiscences about James Wood (at 19:28)

BBC-TV:
Impressionist/Modern Auction at Sotheby's

more of me elsewhere

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About this Entry

This page contains a single entry by CultureGrrl published on February 12, 2009 9:47 PM.

State of the Arts in Congress: An Update was the previous entry in this blog.

Arts Win Stimulus Bill Inclusion: $50 Million for NEA; Funds Available for Museums, Theaters, Art Centers (3 UPDATES) is the next entry in this blog.

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